| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Pichler, Peter |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
2024 |
|
|
399 |
| Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
Meta/Metal: Open Questions in Metal Studies |
2024 |
|
|
|
| Pichler, Peter (ed) |
The Law of the Metal Scene: An Interdisciplinary Discussion |
2024 |
|
|
|
| Martínez, Susana González |
Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula |
2023 |
|
|
528 |
| Draut, Easton Daniel |
A Sonic Intervention into Authenticity and Black Metal |
2023 |
|
|
|
| Holm, Christoffer |
Power Metal – Tre låtar jämförs och genrekonventioner diskuteras [Comparing three songs and discussing genre conventions] |
2023 |
|
|
|
| Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
2024 |
|
|
|
| Mynett, Mark |
Contemporary Metal Music Production |
2013 |
|
|
|
| Benefield, Adam J. |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
2020 |
|
|
|
| Beccasino, Ángel |
M-19, el heavy metal latinoamericano |
1989 |
|
|
|
