|
Author |
Title |
Year |
Publication ![sorted by Publication field, ascending order (up)](img/sort_asc.gif) |
Volume |
Pages |
Links |
|
Draut, Easton Daniel |
A Sonic Intervention into Authenticity and Black Metal |
2023 |
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Holm, Christoffer |
Power Metal – Tre låtar jämförs och genrekonventioner diskuteras [Comparing three songs and discussing genre conventions] |
2023 |
|
|
|
|
|
Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
2024 |
|
|
|
|
|
Mynett, Mark |
Contemporary Metal Music Production |
2013 |
|
|
|
|
|
Benefield, Adam J. |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
2020 |
|
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|
|
|
Beccasino, Ángel |
M-19, el heavy metal latinoamericano |
1989 |
|
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|
Davis, Jessie E. |
Music Therapists' Perspectives on the Use of Heavy Metal Music in Music Therapy |
|
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|
Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
Yépez Aguirre, Jimmy Renzo |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
2017 |
Anales Científicos |
78 |
80-91 |
|