Records |
Author |
Barchi, Rodrigo |
Title |
Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore |
Type |
Book Chapter |
Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Issue |
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Pages |
314-343 |
Keywords |
Grindcore; Album art |
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Publisher |
Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2368 |
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Author |
Oliveira, Susane Rodrigues de; Brayner, Thais Nogueira |
Title |
Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo |
Type |
Book Chapter |
Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Volume |
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Issue |
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Pages |
344-380 |
Keywords |
Female artists; Extreme metal; Feminity |
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Publisher |
Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2369 |
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Author |
Dinali, Wescley |
Title |
Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e |
Type |
Book Chapter |
Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Volume |
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Issue |
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Pages |
381-393 |
Keywords |
Punk; Philosophy |
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Publisher |
Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2370 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
Title |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
Type |
Book Chapter |
Year |
2022 |
Publication |
Music, Sound, and Documentary Film in the Global South |
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Volume |
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Issue |
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Pages |
89-112 |
Keywords |
Latin America; Documentary films |
Abstract |
Description of entire book:
“Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project.
Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.” (source: Lexington Books) |
Address |
https://rowman.com/Action/SERIES/LEX/LEXEXSS |
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Publisher |
Lexington Books |
Place of Publication |
Lanham, Maryland |
Editor |
Ballengee, Christopher L. |
Language |
English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
978-1-66690-295-2, 978-1-66690-296-9 |
Medium |
Hardback |
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no |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2521 |
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Author |
Hudson, Stephen S. |
Title |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
Type |
Journal Article |
Year |
2022 |
Publication |
Music Theory Spectrum |
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Volume |
44 |
Issue |
1 |
Pages |
s.p. |
Keywords |
Headbanging; Rythm |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2246 |
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Author |
Hudson, Stephen S. |
Title |
Compound AABA Form and Style Distinction in Heavy Metal |
Type |
Journal Article |
Year |
2021 |
Publication |
Music Theory Online |
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Volume |
27 |
Issue |
1 |
Pages |
n.p. |
Keywords |
Musicology |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2083 |
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Author |
Garza, Jose M. |
Title |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
Type |
Journal Article |
Year |
2021 |
Publication |
Music Theory Online |
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Volume |
27 |
Issue |
1 |
Pages |
n.p. |
Keywords |
Musicology |
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Language |
en |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2078 |
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Author |
Hannan, CalderCalder |
Title |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
Type |
Journal Article |
Year |
2022 |
Publication |
Music Theory Online |
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Volume |
28 |
Issue |
1 |
Pages |
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Keywords |
Musicology; Death metal; Anomalous (band) |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2382 |
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Author |
Lucas, Olivia R. |
Title |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
Type |
Journal Article |
Year |
2021 |
Publication |
Music Theory Online |
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Volume |
27 |
Issue |
4 |
Pages |
s.p. |
Keywords |
Concert Lightning |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2384 |
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Author |
Archer-Capuzzo, Sonia |
Title |
Mining For Metal: Heavy Metal and the Music Library |
Type |
Journal Article |
Year |
2021 |
Publication |
Music Library Association |
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Volume |
78 |
Issue |
1 |
Pages |
7-26 |
Keywords |
Library Science; Bibliography |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2118 |
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