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Kahn-Harris, K. (2002). “I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene. Music, Popular Culture, Identities, 19, 119–136.
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Kahn-Harris, K. (1999). An Orphaned Land? Israel and the Global Extreme Metal Scene. In K. Harris (Ed.), New voices in Jewish thought. Vol. 2 Vol. 2 (pp. 1–21). London: Limmud.
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Kahn-Harris, K. (2003). Death Metal and the Limits of Musical Expression. In M. Cloonan, & R. Garofalo (Eds.), Policing pop (pp. 81–99). Philadelphia: Temple University Press.
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Kahn-Harris, K. (2000). ‘Roots’? the relationship between the global and the local within the Extreme Metal scene. Popular Music, 19(1), 13–30.
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Hjelm, T., Kahn-Harris, K., & LeVine, M. (2012). Heavy metal as controversy and counterculture. Popular Music History, 6(1-2), 5–18.
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Kahn-Harris, K. (2012). How diverse should metal be? The case of Jewish metal, overt and covert jewishness. In N. Scott (Ed.), Reflections in the Metal Void (pp. 39–48). Oxford: Inter-Disciplinary Press.
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Kahn-Harris, K. (2009). Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene]. Replika, 65, 165–175.
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Kahn-Harris, K. (2001). Ein Verwaistes Land? Israel und die Extreme Metal-Szene. Testcard, 6.
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Kahn-Harris, K. (2009). End of the World Music: Is Extreme Metal the Sound of the Apocalypse. In J. Walliss, & K. G. C. Newport (Eds.), The end all around us: apocalyptic texts and popular culture (pp. 22–42). London & Oakville: Equinox.
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Kahn-Harris, K. (2024). The Laws of Metal: A Sociological Perspective. In P. Pichler (Ed.), The Law of the Metal Scene: An Interdisciplinary Discussion (pp. 29–42). Stuttgart: Kohlhammer.
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