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Chowenhill, R. (2020). Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion. Ph.D. thesis, Brandeis University, Waltham.
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Flansburg, G. (2020). Performing Gender – Hell Hath No Fury Like a Woman Horned. Master's thesis, University of Oklahoma, Norman.
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Hagen, R. (2020). Darkthrone’s “A Blaze in the Northern Sky”. London: Bloomsbury Publishing.
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Lake, D. (2020). USBM: A Revolution of Identity in American Black Metal. Decibel Books.
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Feria del Libro Heavy. (2020). Cultura metálica 6: ponencias, debates y exposiciones de la 6a Feria del Libro Heavy de Buenos Aires. Buenos Aires: Clara Beter Ediciones.
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Mudrian, A. (Ed.). (2020). The Decibel Hall of Fame Anthology: Volume III. dB Books.
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Setničar, R. (2020). “From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon]. Bachelor's thesis, Univerza v Ljubljani, Ljubljana.
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Szpajdel, C. (2020). Archaic Modernism: The Art of Christophe Szpajdel. UK: Heavy Music Artwork.
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Benefield, A. J. (2020). Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work. Master's thesis, Stephen F. Austin State University, Nacogdoches.
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Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118.
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