| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Kallioniemi, Kari; Kärki, Kimi |
The Kalevala, Popular Music, and National Culture |
2009 |
Popular Music |
13 |
12 |
|
|
|
Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
|
|
|
Weinstein, Deena |
All Singers Are Dicks |
2004 |
Popular Music and Society |
27 |
323-334 |
|
|
|
Harrell, Jack |
The poetics of destruction: Death metal rock |
1994 |
Popular Music and Society |
18 |
91-103 |
|
|
|
Hakanen, Ernest A.; Wells, Alan |
Adolescent music marginals: Who likes metal, Jazz, Country, and Classical |
1990 |
Popular Music and Society |
14 |
57-66 |
|
|
|
Burns, Gary |
Marilyn Manson and the apt pupils of Littleton |
1999 |
Popular Music and Society |
23 |
3-8 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Epstein, Jonathon S.; Pratto, David J. |
Heavy metal rock music juvenile delinquency and satanic identification |
1990 |
Popular Music and Society |
14 |
67-76 |
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
|
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
