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Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
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Flansburg, Glenn |
Performing Gender – Hell Hath No Fury Like a Woman Horned |
2020 |
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|
Hagen, Ross |
Darkthrone’s “A Blaze in the Northern Sky” |
2020 |
|
|
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|
Lake, Daniel |
USBM: A Revolution of Identity in American Black Metal |
2020 |
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|
Feria del Libro Heavy |
Cultura metálica 6: ponencias, debates y exposiciones de la 6a Feria del Libro Heavy de Buenos Aires |
2020 |
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|
Mudrian, Albert (ed) |
The Decibel Hall of Fame Anthology: Volume III |
2020 |
|
|
364 |
|
|
|
Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
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|
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
|
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
|
Bohn, Dorothee; Bernardi, Cecilia de |
Celebrating 30 years louder than hell: exploring commercial and social “Host Event Zone” developments of the heavy metal festival Wacken Open Air |
2020 |
Annals of Leisure Research |
(accepted) |
|
|
