| Records |
| Author |
Saavedra, Milen |
| Title |
La cultura juvenil metalera en la ciudad de La Paz, desde el abordaje comunicacional |
Type |
Book Chapter |
| Year |
2022 |
Publication  |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Issue |
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Pages |
99-134 |
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| Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2486 |
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| Author |
Fuertes, Fernando |
| Title |
Underground Boliviano: Una nueva mirada a la escena metalera |
Type |
Book Chapter |
| Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
Abbreviated Journal |
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Issue |
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Pages |
135-169 |
| Keywords |
Bolivia; Underground |
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| Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2487 |
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| Author |
Coronado, Jimmy |
| Title |
La influencia de la expresión de la música Metal en la identidad cultural de Tribus Urbanas de metaleros de la ciudad de La Paz |
Type |
Book Chapter |
| Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
169-200 |
| Keywords |
La Paz; Bolivia; Sociology |
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| Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2488 |
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| Author |
Gutiérrez, Julio César |
| Title |
Imágenes Reflejo del Ajayu del Under Boliviano |
Type |
Book Chapter |
| Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
201-242 |
| Keywords |
Bolivia; Underground |
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| Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2489 |
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| Author |
Limber, Franco |
| Title |
Raza y metal en la nación aymara |
Type |
Book Chapter |
| Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
Abbreviated Journal |
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Issue |
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Pages |
243-250 |
| Keywords |
Race; Aymara Nation; Bolivia |
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| Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2490 |
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| Author |
El Harami, Said; Yachoulti, Mohammed |
| Title |
Youth Heavy Metal Bands in Morocco: Resistance and the Struggle for Change |
Type |
Journal Article |
| Year |
2023 |
Publication |
ESI Preprints |
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Issue |
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Pages |
742-777 |
| Keywords |
Morocco; Lyrics; Symbolism; Activism; Sociology |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2546 |
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| Author |
Castillo Bernal, Stephen |
| Title |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
Type |
Book Chapter |
| Year |
2020 |
Publication |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
113-134 |
| Keywords |
Análisis etnográfico, simbólico e imaginario sobre el metal cristiano en México; Etnomusicología; Música–Aspectos sociales–México; Música y globalización–Aspectos sociales-México; Música popular mexicana–Aspectos sociales. |
| Abstract |
El heavy metal es un movimiento cultural que inició en la década de 1970. Este estilo musical periférico ha sido estigmatizado por gran parte de la sociedad, tachándolo de simple, de burdo, de satánico (Christe, 2004). De la misma forma, se ha estereotipado a sus fanáticos, dando por supuesto que se trata de drogadictos o delincuentes (Singer, Levi y Jou, 1993). Y, sin embargo, el heavy metal sigue siendo uno de los referentes musicales más socorridos entre las juventudes contemporáneas (Santos, 2016). Algo característico de esta escena musical, independientemente del subgénero, es su asociación con temas transgresores. El más característico es el cuestionamiento de los metarrelatos, como la religión judeocristiana o la política. A pesar de que existen muchas propuestas ideológicas, musicales y vocales dentro del heavy metal, el tocar temas tabú de la sociedad es algo fundamental de este género musical, por lo cual muchos jóvenes, en su época contestataria y rebelde, lo adoptan, casi siempre para no abandonarlo nunca más.
En este trabajo delinearé parte de los cimientos del heavy metal cristiano. Esta vertiente del heavy metal, a pesar de encontrarse dentro del movimiento planetario metalero, se estructura en función de su filiación cristiana, esto es, sus líricas aluden a Dios, a sus hazañas en la Tierra y a la lucha contra los pecados y la maldad del mundo. Pareciera ser que este tipo de ideología es impensable en el mundo del heavy metal, sobre todo porque éste se ha asociado erróneamente con el satanismo y con los temas tabú. Sin embargo, la música en sí misma del metal cristiano es transgresora, ya que las agrupaciones de este subgénero pueden especializarse en death, power, thrash o doom, o incluso en black metal, con sonidos y vocales que, definitivamente, alguien que no sea partícipe del movimiento lo tacharía de satánico.
Este trabajo será apuntalado mediante la mirada etnográfica realizada en el pasado XV Éxodo Metal Fest, festival musical celebrado en la montaña de La Malinche, en Tlaxcala, en abril de 2017. Este evento de metal al aire libre congrega a diferentes bandas de metal cristiano y a diversos seguidores del movimiento espiritual. Las pautas identitarias de los músicos, de los fans y de los organizadores serán utilizadas para perfilar un estudio más profundo de un movimiento que, desde mi punto de vista, constituye otra representación underground de lo underground. |
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El Colegio de la Frontera Norte (El Colef) |
Place of Publication |
Tijuana, Baja California, México |
Editor |
Coordinación editorial: Érika Moreno Páez |
| Language |
español |
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| Series Editor |
Olmos Aguilera, Miguel (coordinator) |
Series Title |
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ISBN |
978-607-479-348-2 |
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no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2406 |
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| Author |
Davis, Amanda Blake; Sangster, Matthew |
| Title |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
Type |
Journal Article |
| Year |
2023 |
Publication |
European Romantic Review |
Abbreviated Journal |
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| Volume |
34 |
Issue |
3 |
Pages |
291-302 |
| Keywords |
Romanticism (literature); Literature; Epic poetry; Intertextuality |
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1050-9585 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2420 |
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| Author |
Montanero Vico, Luis |
| Title |
The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil |
Type |
Journal Article |
| Year |
2005 |
Publication |
Ex Novo. Revista d'Historia i Humanitats |
Abbreviated Journal |
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| Volume |
2 |
Issue |
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Pages |
123-139 |
| Keywords |
NWOBHM; Music History; Sociology; Spain |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2494 |
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| Author |
Barron, Lee |
| Title |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
Type |
Journal Article |
| Year |
2024 |
Publication |
Fashion, Style & Popular Culture |
Abbreviated Journal |
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| Volume |
Online first |
Issue |
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Fashion; Behemoth (band); Nergal (artist); Performance; Black metal; Profanity |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2566 |
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