| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Mustamo, Aila |
Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal] |
2024 |
KULTTUURINTUTKIMUS |
41 |
23-40 |
|
|
|
Swiniartzki, Marco |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
2021 |
Journal of Popular Music Studies |
33 |
168-193 |
|
|
|
Korczyński, Tomasz Michał |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
2021 |
Journal of Modern Science |
46 |
73-91 |
|
|
|
Baker, Charley; Brown, Brian |
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis |
2016 |
Journal of Medical Humanities |
37 |
1-17 |
|
|
|
Weber, Joe |
Ronnie James Dio: the man on the silver mountain |
2024 |
Journal of Maps |
20 |
2349164 |
|
|
|
Swist, Jeremy J. |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
2021 |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
|
200-229 |
|
|
|
Johnson, Henry |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
2014 |
Island Studies Journal |
9 |
176-178 |
|
|
|
Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
|
|
|
McFerran, Katrina |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
2014 |
International Journal of Community Music |
7 |
205-222 |
|
|
|
Evangelista Ávila, Iram Isaí |
La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal |
2021 |
Impossibilia. Revista Internacional de Estudios Literarios |
21 |
237-261 |
|
