| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Cárdenas Azuaje, Diana maría |
El metal en clave de género |
2022 |
Imaginación o Barbarie |
25 |
|
|
|
|
Córdoba Romero, Jesús Antonio |
Metal to the Bone, una mirada con enfoque de género a las escenas metaleras |
2022 |
Imaginación o Barbarie |
25 |
|
|
|
|
Migeon-Lambert, Camille |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
2021 |
Identités de l'artiste – Pratiques, représentations, valeurs |
|
63-82 |
|
|
|
Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
|
|
|
Reis Alecrim, Thales |
PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) |
2023 |
História e Cultura |
12 |
175-197 |
|
|
|
Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
|
|
|
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
7-36 |
|
|
|
Pack, Christian M. |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
39-60 |
|
|
|
Sánchez Mondaca, Maximiliano |
Dictatorship and Metal in Chile: A Causal Relationship? |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
61-80 |
|
|
|
Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
|
