| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Sipilä, Eero |
Unique Roots Of Finnish Metal? Nationality And Commerciality In The History Of Finnish Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
512-520 |
| Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
| Tofalvy, Tamas; Koltai, Júlia |
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system |
2021 |
New Media & Society |
OnlineFirst |
|
| Minore, Gito |
Producir metal. Autogestión, independencia, mainstream |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
27-32 |
| Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
| Harrison, Thomas |
”Empire”: Chart Performance of Hard Rock and Heavy Metal Groups, 1990-1992(1) |
2007 |
Popular Music and Society; Bowling Green |
30 |
197-225,303 |
| Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
| Messick, Kyle J. |
Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues |
2021 |
The Societal Impacts of Covid-19: A Transnational Perspective |
|
93-108 |
| Guibert, Gérôme |
Les spécificités culturelles de la production de musique metal. Le cas de l’industrie de la musique live en France |
2019 |
Volume! La revue des musiques populaires |
15:2 |
25-35 |
| Mertens, Mathias |
Medienästhetische Überlegungen zur Luftgitarre |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
225-241 |
