| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
| Faingold, Noam. |
Portfolio of compositions and technical commentary |
2015 |
|
|
|
| Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
| Jordan, James Boddington |
Harmonic Structures of 21st Century Heavy Metal |
2021 |
|
|
|
| Marstal, Henrik |
Mercyful Fate's “Don't Break the Oath” |
2021 |
|
|
|
| Medina, Javier S. |
Leather, spikes, and chains. The influenec of gay culture in punk, hard rock, and heavy metal music |
2017 |
|
|
|
| Marjenin, Peter A. |
The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani |
2014 |
|
|
|
| Reis Alecrim, Thales |
The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) |
2021 |
|
|
|
| LeVine, Mark |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
2022 |
|
|
|
| Hofer, Dave |
PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker |
2014 |
|
|
|
