|
|
Christensen, A. (2019). Making Heritage Metal: Faroese Kvæði and Viking Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 107–120). London: Emerald.
|
|
|
|
Calvo, M. B. (2016). Almafuerte: Metal pesado argento and its construction of Argentinian nationalism. Metal Music Studies, 2(1), 21–38.
|
|
|
|
Spracklen, K. (2017). ‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden. Metal Music Studies, 3(3), 405–419.
|
|
|
|
Belén Calvo, M. (2018). Indigenista perspectives in Argentine metal music. Metal Music Studies, 4(1), 155–163.
|
|
|
|
Rivera-Segarra, E., Varas-Díaz, N., Mendoza, S., & Díaz, X. (2018). Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico. Metal Music Studies, 4(1), 165–174.
|
|
|
|
Calvo, M. B. (2018). Perspectiva indigenista en la música metal de Argentina. Metal Music Studies, 4(1), 147–154.
|
|
|
|
Pack, C. (2018). ‘Severed Reality’: Representations of reality in Salvadoran tribal metal. Metal Music Studies, 4(1), 187–196.
|
|
|
|
Rivera-Segarra, E., Varas-Díaz, N., Mendoza, S., & Díaz, X. (2018). Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico. Metal Music Studies, 4(1), 175–186.
|
|
|
|
Grant, S. (2016). From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives. Metal Music Studies, 2(2), 215–232.
|
|
|
|
Banchs, E. (2016). Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity. Metal Music Studies, 2(3), 311–324.
|
|
