| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
|
|
|
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
|
|
|
Whalen, Kayley Margarite |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
162-178 |
|
|
|
Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
|
|
|
Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
|
|
|
Montanero Vico, Luis |
The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil |
2005 |
Ex Novo. Revista d'Historia i Humanitats |
2 |
123-139 |
|
|
|
Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
|
|
|
El Harami, Said; Yachoulti, Mohammed |
Youth Heavy Metal Bands in Morocco: Resistance and the Struggle for Change |
2023 |
ESI Preprints |
|
742-777 |
|
|
|
Tapia, Reynaldo |
El Metal Underground como Cultura, Identidad y Resistencia |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
9-30 |
|
|
|
Mendoza, Boris |
El underground Boliviano de los Andes y su resonancia identitaria en la política pública de del siglo XXI |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
33-56 |
|
