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Limber, F. (2022). Raza y metal en la nación aymara. In R. Tapia, & B. Mendoza (Eds.), El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano (pp. 243–250). La Paz: Ediciones Jichha.
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El Harami, S., & Yachoulti, M. (2023). Youth Heavy Metal Bands in Morocco: Resistance and the Struggle for Change. ESI Preprints, , 742–777.
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Davis, A. B., & Sangster, M. (2023). “Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal. European Romantic Review, 34(3), 291–302.
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Montanero Vico, L. (2005). The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil. Ex Novo. Revista d'Historia i Humanitats, 2, 123–139.
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Barron, L. (2024). Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth. Fashion, Style & Popular Culture, Online first.
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Arenillas Meléndez, S. (2021). Negociaciones de la masculinidad en el heavy español de los ochenta. Feminismo/s, 38, 261–279.
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Clinton, E., & Wallach, J. (2024). “United We Never Shall Fall”: Metal and Disability. In J. H. Shadrack, & K. Kahn Harris (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 9–22). Bristol: Intellect.
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Fessenden, J. W. (2024). Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 23–37). Bristol: Intellect.
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Jiggens, R., & Shadrack, J. H. (2024). Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 38–51). Bristol: Intellect.
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Juniper, S. (2024). Disabled Drone: Trans-Feminist Noisecraft. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 52–65). Bristol: Intellect.
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