| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Schmidt, Andreas |
Unten und im Norden: Mythische Bildsprache, Kunst und (Sub-)Kultur in der nordischen Schaffensperiode Helrunars |
2020 |
NORDEUROPAforum – Zeitschrift für Kulturstudien |
Jhg. 2020 |
194-227 |
|
|
|
Nowakowski, Adam E. |
“Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture |
2020 |
Półrocznik Językoznawczy Tertium |
5 |
62–82 |
|
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
|
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
2020 |
Logos |
27 |
s. p. |
|
|
|
Pascual Auqué , Patricia |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
2020 |
Tropleías |
7 |
625-640 |
|
|
|
Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
|
|
|
Hagen, Ross |
Darkthrone’s “A Blaze in the Northern Sky” |
2020 |
|
|
|
|
|
|
Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
|
|
|
|
|
|
Feria del Libro Heavy |
Cultura metálica 6: ponencias, debates y exposiciones de la 6a Feria del Libro Heavy de Buenos Aires |
2020 |
|
|
|
|
