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Author |
Pichler, Peter |
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Title |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
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Year |
2024 |
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399 |
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<<
Produktbeschreibung: Im Heavy Metal wird seit jeher der Mythos gepflegt, die gesamte Szene bewege sich außerhalb aller gesellschaftlicher und kultureller Normen. Paradigmatisch wird dieses Ideal in dem Klassiker “Breaking the Law” von Judas Priest zum Ausdruck gebracht. Obwohl sich diese Vorstellung als wichtiger Teil des Identitätsfundaments der Metal-Szene etablierte, gibt es bis heute keine Forschungen, die nach dem Zusammenhang von Rechtsbezug, Szene-Ethos und Sound im Heavy Metal fragen.
In der vorliegenden Pionierstudie untersucht der Kulturhistoriker Peter Pichler, wie die lokale Metal-Szene in Graz und der Steiermark in den letzten 40 Jahren durch diese Aspekte geprägt wurde. Dem Autor gelingt der Nachweis, dass man die Entstehung der individuellen “Klanglichkeit” des steirischen Metals durch das kulturelle Zusammenspiel von Recht, Moral und Sound erklären kann.>>
[Product description: In heavy metal, the myth has always been maintained that the entire scene operates outside of all social and cultural norms. This ideal is paradigmatically expressed in the classic “Breaking the Law” by Judas Priest. Although this idea established itself as an important part of the metal scene's foundation of identity, to date there is no research that asks about the connection between legal reference, scene ethos and sound in heavy metal.
In this pioneering study, cultural historian Peter Pichler examines how the local metal scene in Graz and Styria has been shaped by these aspects over the last 40 years. The author succeeds in proving that the emergence of the individual “sound” of Styrian metal can be explained by the cultural interplay of law, morals and sound.] |
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Kohlhammer Verlag |
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Stuttgart, Baden-Württemberg, Germany |
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German |
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Meta/Metal (Volume 3) |
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9783170434653 |
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Hardback |
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INTech @ brianhickam2019 @ |
Serial |
2534 |
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Author |
Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
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Title |
Meta/Metal: Open Questions in Metal Studies |
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Year |
2024 |
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<<Produktbeschreibung: Metal Studies is a “booming” research field that has gained tremendous momentum in recent years. In this field, Heavy Metal is studied both as a cultural practice and as a musical genre. However, many of the most urgent conceptual questions have remained unanswered – especially those that lie outside the research interests of the founding disciplines of Metal Studies. This first volume of the book series “Meta/Metal” tries to answer some of these questions. The book brings together contributions by leading scholars and young experts, each of which responds to one of the conceptual desiderata that have so far arisen in Metal Studies. All contributions share a commitment to combining basic research with empirical accuracy in this research field.>> |
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Publisher |
Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
Editor |
Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco |
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English |
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Series Title |
Meta/Metal (Volume 1) |
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9783170434585 |
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Hardback |
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INTech @ brianhickam2019 @ |
Serial |
2535 |
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Author |
Pichler, Peter (ed) |
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Title |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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Book Whole |
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Year |
2024 |
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<<Produktbeschreibung: Metal Studies is a genuinely interdisciplinary research field. However, different specialist traditions, differing theoretical and methodological approaches, and also terminological “translation difficulties” make collaboration within the field difficult. This volume aims to explore the potential and limitations of interdisciplinary work by examining an example area – the laws of Heavy Metal – from the point of view of central disciplines. Laws are regarded as social conventions – i.e., rules that are made by human beings and are culturally stable. Examples of laws include conventions of musical language, the dress code in the metal scene, behavioural norms, and conventions in writing song lyrics.
The volume includes contributions from the fields of law, social ethics, art history, religious studies, musicology, sociology, linguistics, and cultural history.>> |
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Publisher |
Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
Editor |
Pichler, Peter |
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Language |
English |
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Series Title |
Meta/Metal (Volume 2) |
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ISBN |
9783170434639 |
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Hardback |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2536 |
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Author |
Castillo Bernal, Stephen |
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Title |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
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Journal Article |
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Year |
2007 |
Publication |
Fuentes Humanísticas |
Abbreviated Journal |
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Volume |
19 |
Issue |
34 |
Pages |
43-57 |
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Keywords |
sociocultural, instrumento, heavy metal, simbolismo, black metal, Alice Cooper; instrument, symbolism |
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Abstract |
En el caso que aquí nos atañe, las manifestaciones corpóreas cargan un lenguajesimbólico que puede ser leído por los integrantes de una subcultura y, en consecuencia, puede ser diseccionado a partir de un ejercicio interpretativo. Decimos lo anterior en función de que la misma cultura, siguiendo a Millán (2001: 23), puede considerarse como un sistema de lenguaje articulado. Sobra decir que las significaciones corporales son una construcción social, por lo que su edificación varía de acuerdo con los ritmos históricos de aparición del saber y las tradiciones singulares de la cultura (Fournier y Jiménez, en prensa; Foucault, 1999). |
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Prolongación Canal de Miramontes 3855, colonia Ex-Hacienda de San Juan de Dios, delegación Tlalpan, c.p. 14387, Ciudad de México, y Av. San Pablo 180, colonia Reynosa Tamaulipas, delegación Azcapotzalco, c.p. 02200, Ciudad de México • Tel. 5318-9125 y 5318-9441 |
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la Universidad Autónoma Metropolitana a través de la Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades, Departamento de Humanidades. |
Place of Publication |
Ciudad de México |
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español |
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eISSN 2007-5618, ISSN 0188-8900 |
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PDF |
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Notes |
Open access: Licencia Creative Commons Atribución 4.0 Internacional. IMÁGENES CORPORALES Y CULTURA DE MASAS (Enero-Junio) |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2403 |
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Author |
López Ramírez Gastón, José Ignacio |
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Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
Type |
Journal Article |
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Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
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Volume |
4 |
Issue |
1 |
Pages |
60-85 |
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Keywords |
Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
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Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
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La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
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español |
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2616-681X (electrónico); 2521-8565 (impreso) |
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PDF, XML, EPUB, HTML |
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Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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INTech @ brianhickam2019 @ |
Serial |
2379 |
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Author |
Carmona Campo, Andrés |
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Title |
Filosofía y heavy metal |
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Year |
2021 |
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Philosophy |
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Laetoli |
Place of Publication |
Pamplona |
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Spanish |
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978-84-121856-9-0 |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2104 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Title |
Epilogue: Metal Unbound |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
387-390 |
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Conclusions |
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Publisher |
Lexington |
Place of Publication |
London |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2441 |
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Author |
Varas-Díaz, Nelson; Rivera-Segarra, Eliut |
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Title |
Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery |
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Book Chapter |
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Year |
2014 |
Publication |
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music |
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Pages |
73-90 |
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Keywords |
Caribbean; Politics; Language |
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Publisher |
Lexington Books |
Place of Publication |
Lanham |
Editor |
Abbey, Eric James; Helb, Colin |
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Language |
en |
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ISBN |
978-0-7391-7606-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ abbey_black_2014 |
Serial |
326 |
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Author |
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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Title |
Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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Pages |
7-36 |
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Keywords |
Non-Western Scenes; Latin America |
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Lexington Books |
Place of Publication |
Lanham |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2014 |
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Author |
Pack, Christian M. |
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Title |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
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Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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Pages |
39-60 |
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Keywords |
El Salvador; Latin America; Non-Western scenes; Death Metal; Brutal Death Metal; Kabak (band) |
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Publisher |
Lexington Books |
Place of Publication |
Lanham |
Editor |
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2015 |
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