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Carey, J. (2023). Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy. Metal Music Studies, 9(1), 101–118.
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Swiniartzki, M. (2023). Working metal musicians: A case of transition in the long 1980s. Metal Music Studies, 9(1), 59–75.
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Kruk, J., & Robertson, W. C. (2023). An annotated interview with Beastwars: Language, identity and place in New Zealand metal. Perfect Beat, 22(1), s. p.
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Castro, Á. L. de O., & Rezende, D. C. de. (2023). Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes. Poetics, 99, 101803.
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Kjellander Hellqvist, E. (2023). ”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom]. HumaNetten, 50, 76–91.
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Hoad, C. (2023). Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”. Rock Music Studies, t.b.c..
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Arenillas Meléndez, S. (2021). Negociaciones de la masculinidad en el heavy español de los ochenta. Feminismo/s, 38, 261–279.
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Silva, M. A. dos S., Silva, J. M. da, & Gutfreind, C. F. (2020). Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola. Logos, 27(3), s. p.
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Silva, M. A. dos S., & Polivanoz, B. (2015). “Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal. Logos, 22(2), s. p.
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Silva, M. A. dos S., & Sá, S. P. de. (2014). Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano. Comunicação Mídia E Consumo, 11(31), 65–81.
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