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Author | Faria, Fabio Coura de | ||||
Title | Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal | Type | Book Whole | ||
Year | 2022 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | |||
Keywords | Hip Hop; Politics; Locality; Identity; Latin America; Colonisation; Hybridity | ||||
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Corporate Author | Thesis | Doctoral thesis | |||
Publisher | Universidade Federal de Santa Catarina | Place of Publication | Florianópolis | Editor | |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2347 | ||
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Author | Reis Alecrim, Thales | ||||
Title | The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) | Type | Book Whole | ||
Year | 2021 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | |||
Keywords | Sepultura (band); Evil; Music Industry | ||||
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Corporate Author | Thesis | Master's thesis | |||
Publisher | Universidade de São Paulo | Place of Publication | São Paulo | Editor | |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2260 | ||
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Author | Baltazar, Lídia Maria Ferrão | ||||
Title | Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands | Type | Book Whole | ||
Year | 2013 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | 216 | ||
Keywords | Heavy Metal Music, Music Industry, Band Management, Entrepreneurship, Artistic Integrity | ||||
Abstract | “The Music Industry is a very complex world that embraces different and broad segments needing of academic exploration. The big majority of studies and/or academic approaches to this unique business world have been focusing greatly on the record labels side but have failed to address the role of those who make the music – the musicians/artists. This is exactly what the present study aimed to understand: What is the role of the musicians in the music business? Aren’t they one of the key elements, essential players, within the whole industry, if not the most important elements ever? The industry of music includes a large number of creative and wise musicians/bands behind one of the most discriminated music genres in the music history – Heavy Metal Music. However, diverse studies have demonstrated that Heavy Metal is recognized as a music genre that generates profit, with an increasing legion of fans all over the world hence, also considered popular music. Therefore, the purpose of this study is to understand how Heavy Metal Music bands and musicians succeed and how they manage to conciliate artistic creativity and commercial demands. By making a multiple case study analysis within two different settings – Portugal versus Finland – it will be shown that Heavy Metal bands / musicians possess business skills that allow them to manage and conduct both the artistic and business activities of their music business. In some of the cases, it will also be raised their entrepreneurial skills in innovating and finding new ways of reaching the audience and becoming more successful whilst doing what they love the most – making music and playing it live.” (Source: ProQuest Dissertations Publishing) Ciências Sociais e Humanas (Social Sciences and Humanities). |
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Corporate Author | Thesis | Doctoral thesis | |||
Publisher | Universidade da Beira Interior | Place of Publication | Covilhã, Portugal | Editor | Anabela Dinis |
Language | English | Summary Language | Portuguese | Original Title | |
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Notes | ProQuest order number 28761469 | Approved | yes | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2517 | ||
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Author | Yépez Aguirre, Jimmy Renzo | ||||
Title | La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 | Type | Journal Article | ||
Year | 2019 | Publication | Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma | Abbreviated Journal | Pluriversidad |
Volume | Issue | 3 | Pages | 21 | |
Keywords | Individualism; mercantilism; fetichism; rock music; habitus-field | ||||
Abstract | This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. | ||||
Address | Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe | ||||
Corporate Author | Thesis | ||||
Publisher | Universidad Ricardo Palma | Place of Publication | Lima, República del Perú | Editor | Martínez Llaque, José |
Language | Spanish | Summary Language | English | Original Title | |
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Series Volume | Series Issue | Edition | |||
ISSN | Print: 2617-6254 / Online: 2617-6262 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes | Creative Commons 4.0 (CC BY-NC) | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2282 | ||
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Author | Yépez, Jimmy | ||||
Title | Vivir adentro y en contra. Metaleros de las ciudades de Lima (2016) y Huánuco (2010) Perú. | Type | Journal Article | ||
Year | 2022 | Publication | PLURIVERSIDAD | Abbreviated Journal | |
Volume | 10 | Issue | n/a | Pages | 73-100 |
Keywords | Jóvenes, Metaleros, colonialidad del poder, modernidad, globalización; Young people, metalheads, coloniality of power, modernity, globalization | ||||
Abstract | RESUMEN El siguiente trabajo de investigación tuvo como objetivo el análisis de dos trabajos de campo de mi autoría en dos momentos diferentes 2016 (Lima) y 2010 (Huánuco). “En ambos trabajos se hizo uso de la encuesta y la entrevista a profundidad a una muestra no probabilística de 23 personas en el caso de Lima y 30 personas en el caso de Huánuco” (Yépez, J.2011; Yépez, J. 2017b). En el análisis comparativo de ambas investigaciones podemos concluir que la reproducción de la colonialidad del poder y el nudo arguediano (identidad-modernidad-democracia) son las trabas para el desarrollo de las comunidades juveniles en el Perú. [The following research work had as objective the analyze two field works of my authorship at two different times: 2016 (Lima) and 2010 (Huánuco). “In both works, the survey and the in-depth interview were used with a non-probabilistic sample of 23 people in the case of Lima and 30 people in the case of Huánuco” (Yépez, J. 2011; Yépez, J. 2017b) In the comparative analysis of both investigations we can conclude that the reproduction of the coloniality of power and the argued knot (identity-modernity-democracy) are the obstacles for the development of youth communities in Peru.] |
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Address | jyepez@lamolina.edu.pe | ||||
Corporate Author | Universidad Nacional Agraria la Molina, Lima, Perú | Thesis | |||
Publisher | Universidad Ricardo Palma | Place of Publication | Lima, República del Perú | Editor | |
Language | español | Summary Language | English | Original Title | |
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Series Volume | Series Issue | Edition | |||
ISSN | Online: 2617-6262 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes | open access | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2400 | ||
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Author | Yepes Aguirre, Jimmy Renzo | ||||
Title | Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 | Type | Journal Article | ||
Year | 2013 | Publication | Investigaciones Sociales | Abbreviated Journal | |
Volume | 17 | Issue | 30 | Pages | 279-290 |
Keywords | Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú | ||||
Abstract | Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. | ||||
Address | https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 | ||||
Corporate Author | Thesis | ||||
Publisher | Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales | Place of Publication | Lima, República del Perú | Editor | |
Language | Summary Language | Original Title | |||
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Series Volume | Series Issue | Edition | |||
ISSN | Print: 1560-9073 / Online: 1818-4758 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2284 | ||
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Author | Tarazona Elvino, Luis Manuel | ||||
Title | Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo | Type | Book Whole | ||
Year | 2009 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | 150 | ||
Keywords | Música Rock-Metal | ||||
Abstract | En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. | ||||
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Corporate Author | Thesis | Bachelor's thesis | |||
Publisher | Universidad Nacional del Centro del Perú | Place of Publication | Huancayo, República del Perú | Editor | |
Language | Spanish | Summary Language | Spanish | Original Title | |
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Series Volume | Series Issue | Edition | |||
ISSN | ISBN | Medium | |||
Area | Expedition | Conference | |||
Notes | Licenciado en Antropología | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2285 | ||
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Author | Yépez Aguirre, Jimmy Renzo | ||||
Title | Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 | Type | Journal Article | ||
Year | 2017 | Publication | Anales Científicos | Abbreviated Journal | |
Volume | 78 | Issue | 2 | Pages | 80-91 |
Keywords | Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society | ||||
Abstract | This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. | ||||
Address | https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 | ||||
Corporate Author | Thesis | ||||
Publisher | Universidad Nacional Agraria La Molina, Lima - Perú | Place of Publication | Lima, República del Perú | Editor | |
Language | Spanish | Summary Language | English | Original Title | |
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Series Volume | Series Issue | Edition | |||
ISSN | Print: 0255-0407 / Online: 2519-7398 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2283 | ||
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Author | García-Peinazo, Diego | ||||
Title | Fantasías intertextuales: los tracks introductorios de las bandas de metal épico y sinfónico en los albores del siglo XXI | Type | Journal Article | ||
Year | 2024 | Publication | Análisis musical y musicología: juego de espejos | Abbreviated Journal | |
Volume | Issue | Pages | 207-218 | ||
Keywords | Epic metal; Symphonic metal; Intertextuality; Musicology | ||||
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Corporate Author | Thesis | ||||
Publisher | Universidad de Oviedo | Place of Publication | Oviedo | Editor | García-Peinazo, Diego; Ogas Jofre, Julio |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2603 | ||
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Author | Plazola Meza, Eduardo | ||||
Title | La “cultura metalera” en el sur de Jalisco, México | Type | Book Chapter | ||
Year | 2023 | Publication | Pluralidad cultural y artes identitarias regionales | Abbreviated Journal | |
Volume | Issue | Pages | 9-32 | ||
Keywords | México; Sociology; Mexican scene | ||||
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Corporate Author | Thesis | ||||
Publisher | Universidad de Guadalajara | Place of Publication | Guadalajara (México) | Editor | Rangel Muñoz, José Luis; Coca Izaguirre, Manuel; Chamorro Escalante, Jorge Arturo |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2543 | ||
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