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| Author | Kloeppel, Mark | ||||
| Title | Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities | Type | Book Whole | ||
| Year | Publication | Abbreviated Journal | |||
| Volume | Issue | Pages | 136 | ||
| Keywords | Communication and the arts; Social sciences; Extreme metal; Festivals; Narrative identity; Narrative inquiry; Tourism; Cultural resources management; Sociology; Labor relations | ||||
| Abstract | “Extreme Metal is a form of dark tourism and leisure activity whose artistic radicalism and underground scenes invoke intense debates from musicians as well as audiences. Traditional cultural studies have assumed that its disenfranchised and transgressive music expressions are an ideological resistance to increasing homogeneities of industrialized society. As such, considering the nature of festivals as a mechanism where culture is created and transmitted, the operations and promotions of Extreme Metal festivals are inevitably engaged in the wider cultural politics of Extreme Metal. The roles of festival producers thus must be emphasized, who act as powerful agents in engaging artists, developing audiences, arranging programs, and so forth. Indeed, no festivals can be simply described as improvised events – they are carefully programmed, planned, and constructed for audiences to hear and see. With this in mind, this study serves to explore the experiential predicament of these culturally embedded event producers. In particular, the identities of the festival producers compose the focus of investigation for this research. That is, considering the contested contexts that are at play in shaping the very existence of Extreme Metal, the producers are constantly acting as intermediaries between these contexts. The discursive practice by which they give meaning to their festival production practices, contain profound dissonance between 'what they imagine their selves to be' and 'what they actually are’ as related to their turbulent ‘referential world’ of Extreme Metal festival production. With this in mind, this study employs the theoretical framework of narrative identity in the examination of the ‘referential world’ by which identities are related. Narrative identity is considered as an approach to understand how people resolve themselves, life events, actions, and other forces in their life. Considering that a self, in narrative, is given meaning through the narrator’s relation of the self to their referential world, analyzing the narrative moments where conflicting contexts are at play provides a sensitization to the struggle of Extreme Metal cultural transgression within festival production. Specifically, it is learned how this tourism is considered ‘dark’. In doing so, three main research questions are asked: 1). How can we understand the festival producers’ identities as negotiated and emerged from the interview narratives? 2). In regards to the festival producers’ identities, what socio-cultural forces in relation to the apparatus of Extreme Metal are involved? 3). How do such findings illuminate the makings of tourism festivals at large?” (Source: ProQuest Dissertations Publishing) |
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Missouri-Columbia, Parks, Recreation, and Tourism Department | Place of Publication | Columbia, Missouri | Editor | Grace Yan |
| Language | English | Summary Language | Original Title | ||
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| Area | Expedition | Conference | |||
| Notes | ProQuest publication number 11015334 | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial  |
2518 | ||
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| Author | Fejes, János | ||||
| Title | Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music | Type | Journal Article | ||
| Year | 2017 | Publication | Acta Universitatis Sapientiae, Communicatio | Abbreviated Journal | |
| Volume | 4 | Issue | Pages | 37-60 | |
| Keywords | Extreme metal; Reception Studies; Mythology | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2493 | ||
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| Author | Dawes, Laina | ||||
| Title | “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Race; Representation; Extreme Metal | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Columbia University | Place of Publication | New York | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2465 | ||
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| Author | Swiniartzki, Marco | ||||
| Title | Working metal musicians: A case of transition in the long 1980s | Type | Journal Article | ||
| Year | 2023 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 9 | Issue | 1 | Pages | 59-75 |
| Keywords | Extreme metal; Working class | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2052-3998 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2450 | ||
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| Author | Burns, Lori | ||||
| Title | Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus | Type | Book Chapter | ||
| Year | 2019 | Publication | The Bloomsbury Handbook to Popular Music Video Analysis | Abbreviated Journal | |
| Volume | Issue | Pages | 183-200 | ||
| Keywords | Dark Tranquility (band); Videoclips; Extreme metal | ||||
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| Publisher | Bloomsbury Academic | Place of Publication | Editor | Burns, Lori; Hawkins, Stan | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2399 | ||
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| Author | Lucas, Olivia R. | ||||
| Title | Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Extreme metal; Loudness; Complexity; Musicology; Theory | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Harvard University | Place of Publication | Cambridge | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2385 | ||
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| Author | Oliveira, Susane Rodrigues de; Brayner, Thais Nogueira | ||||
| Title | Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo | Type | Book Chapter | ||
| Year | 2022 | Publication | Música Extrema: ruídos, imagens e sentidos | Abbreviated Journal | |
| Volume | Issue | Pages | 344-380 | ||
| Keywords | Female artists; Extreme metal; Feminity | ||||
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| Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2369 | ||
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| Author | Souza, Renan Marchesini de Quadros | ||||
| Title | A performance dialógica da música extrema | Type | Book Chapter | ||
| Year | 2022 | Publication | Música Extrema: ruídos, imagens e sentidos | Abbreviated Journal | |
| Volume | Issue | Pages | 298-313 | ||
| Keywords | Extreme Metal; Performance | ||||
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| Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2367 | ||
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| Author | Khalil, Lucas Martins Gama | ||||
| Title | Metal extremo enquanto prática discursiva: modos de difusão, vocação enunciativa e ritos genéticos | Type | Book Chapter | ||
| Year | 2022 | Publication | Música Extrema: ruídos, imagens e sentidos | Abbreviated Journal | |
| Volume | Issue | Pages | 221-244 | ||
| Keywords | Extreme Metal; Discourse; Discourse analysis | ||||
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| Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2364 | ||
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| Author | Campoy, Leonardo Carbonieri | ||||
| Title | As revelações da escuridão: o show no underground do heavy metal extremo como um ritual | Type | Book Chapter | ||
| Year | 2022 | Publication | Música Extrema: ruídos, imagens e sentidos | Abbreviated Journal | |
| Volume | Issue | Pages | 203-221 | ||
| Keywords | Ritual; Performance; Extreme Metal | ||||
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| Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial |
2363 | ||
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