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Ortiz Cora, L. E. (2020). La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock. Estudios sobre las culturas contemporáneas, 26(52), 93–109.
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Miranda Bonilla, S. (2020). La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización. Estudios sobre las culturas contemporáneas, 26(52), 69–92.
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Nevárez Araujo, D. (2020). Metal Migration: The Latin American Diasporic Experience in Heavy Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 305–332). Lanham: Lexington Books.
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Klausner, G. A. (2020). Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 265–284). Lanham: Lexington Books.
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Rivera-Segarra, E., Ramos, J. W., & Varas-Díaz, N. (2020). “A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 287–304). Lanham: Lexington Books.
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Nieves Molina, A. (2020). “La Periferia”: Marginal Contexts for Metal Music in the State of México. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 239–264). Lanham: Lexington Books.
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Castañeda Maldonado, M. E. (2020). The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 219–238). Lanham: Lexington Books.
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Scaricaciottoli, E. (2020). America, Avenge Yourself: The Emergence of Combative Discourse and Other Recent Directions in Contemporary Argentinian Metal (An Exploration in Three Movements). In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 201–216). Lanham: Lexington Books.
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Calvo, M. B. (2020). Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 183–200). Lanham: Lexington Books.
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Rodríguez Molinari, M. X. (2020). In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 161–182). Lanham: Lexington Books.
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