| 
Citations
 | 
   web
Fernández Lozano, M. (2020). The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 133–160). Lanham: Lexington Books.
toggle visibility
López Ramírez Gastón, J. I. (2020). Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 107–130). Lanham: Lexington Books.
toggle visibility
Lagos Chacón, P. M. (2020). The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 81–106). Lanham: Lexington Books.
toggle visibility
Sánchez Mondaca, M. (2020). Dictatorship and Metal in Chile: A Causal Relationship? In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 61–80). Lanham: Lexington Books.
toggle visibility
Pack, C. M. (2020). “Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 39–60). Lanham: Lexington Books.
toggle visibility
Varas-Díaz, N., Nevárez Araujo, D., & Rivera-Segarra, E. (2020). Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America. In Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 7–36). Lanham: Lexington Books.
toggle visibility
Kauppila, O. S. (2020). “Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal. Master's thesis, University of Helsinki, Helsinki.
toggle visibility
Thomson, A. (2020). Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music. Master's thesis, University of Alberta, Alberta.
toggle visibility
Hofmann, A. (2020). Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres. Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak, 15(1), 73–91.
toggle visibility
Hagen, R. (2020). “From the Dark Past”: Historiographies of Violence in Norwegian Black Metal. In B. van der Steen, & T. P. F. Verburgh (Eds.), Researching Subcultures, Myth and Memory (pp. 151–170). Cham: Palgrave Macmillancmillan.
toggle visibility