| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Hassemer, Simon Maria |
Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
263-277 |
| Varas-Díaz, Nelson; Rivera-Segarra, Eliut |
Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery |
2014 |
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music |
|
73-90 |
| Burke, David |
Esoteric Symbolism in Doom Metal |
2016 |
|
|
|
| Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
| Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
2020 |
Heavy Metal Music In Argentina: in black we are seen |
|
|
| Teichert, Matthew |
Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
59-74 |
| Arnett, Jeffrey |
Adolescents and Heavy Metal Music: From the Mouths of Metalheads |
1991 |
Youth and Society |
23 |
76 |
| Verne, Markus |
Die Grenzen des Kontextualismus: Madagassischer Heavy Metal, ”satanische” Ästhetik und die ethnologische Erforschung populärer Musik |
2012 |
Zeitschrift für Ethnologie |
137 |
187-206 |
| Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
| Lopes, Pedro Alvim Leite |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
2006 |
|
|
204 |
