Author |
Title |
Year |
Publication |
Volume |
Pages |
van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
|
|
Orálková, Lucie |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] |
2022 |
|
|
|
Švehla, Martin |
Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation] |
2023 |
|
|
|
James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
Kruk, Jessica; Robertson, Wesley C. |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
2023 |
Perfect Beat |
22 |
s. p. |
Soares Espindola, Mariana |
Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers |
2023 |
|
|
|
Dukayev, Ali |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices |
2023 |
|
|
|
Garrett, Ryan D. |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
2023 |
|
|
|
Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |