Rowell-Lynn, E. (1993). Heavy metal and hard rock lyrics: a comparison of language intensity and lyrical themes. Ph.D. thesis, University of West Florida, Pensacola.
|
DiGioia, A., & Naylor Davis, C. (2018). Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal. In S. Holland, & K. Spracklen (Eds.), Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (pp. 27–42). Emerald Studies in Alternativity and Marginalization. Emerald Publishing Limited.
|
Bartosch, R. (2015). Poetik der Provokation. ”Metal Studies”, ästhetische Wertung und das Spiel mir Bedeutungen in den Songtexten von Hanzel und Gretyl, Cradle of Filth und Rammstein. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 59–76). Trier: Wvt.
|
Scott, N., & Shakespeare, S. (2015). The swarming logic of inversion and the elevation of Satan. Helvete: A Journal of Black Metal Theory, 2, 1–12.
|
Lesouooijenrd, E. van. (2015). Giving life harmoniously: animal inversion in Cattle Decapitation. Helvete: A Journal of Black Metal Theory, 2, 73–93.
|
Deeks, M. (2012). Nordic Heavy Metal as a Representation of Place. In K. Fellezs, & A. R. Brown (Eds.), Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture (pp. 49–63). Oxford: Inter-Disciplinary Press.
|
Riches, G. (2016). Use Your Mind? Embodiments of Protest, Transgression, and Grotesque Realism in British Grindcore. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 125–144). New York & London: Routledge.
|
Coggins, O. (2016). Transforming Detail into Myth: Indescribable Experience and Mystical Discourse in Drone Metal. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 311–332). New York & London: Routledge.
|
Karjalainen, T. - M. (2018). Tales from the North and Beyond: Sounds of Origin as Narrative Discourses. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 1–40). Cambridge: Cambridge Scholars Publishing.
|
Boyarin, S., Saguar García, A., Christensen, A., & Swinford, D. (2019). The Politics and Poetics of Metal’s Medieval Pasts. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 71–80). London: Emerald.
|