| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Evangelista Ávila, Iram Isaí |
La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal |
2021 |
Impossibilia. Revista Internacional de Estudios Literarios |
21 |
237-261 |
|
|
|
Swallow, Reuben |
Defining Consonance and Dissonance in Metal Music |
2021 |
|
|
|
|
|
|
Coggins, Owen |
Ecology, Estrangement and Enchantment in Black Metal's Dark Haven |
2021 |
Green Letters. Studies in Ecocriticism |
t.b.c. |
|
|
|
|
Archer-Capuzzo, Sonia |
Mining For Metal: Heavy Metal and the Music Library |
2021 |
Music Library Association |
78 |
7-26 |
|
|
|
Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
|
|
|
Hassan, Nedim |
Metal on Merseyside: Music Scenes, Community and Locality |
2021 |
|
|
|
|
|
|
Quinn, Kate; Baines, Daniel |
Awesome metalcore therapy: using heavy metal music in therapeutic work with voices |
2021 |
The Practical Handbook of Hearing Voices: Therapeutic and creative approaches |
|
|
|
|
|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
|
|
|
Rogers, Anna S.; Deflem, Mathieu |
Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture |
2021 |
|
|
|
|
