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Metal Studies Bibliography

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Author Kjellander Hellqvist, Eva url  doi
openurl 
  Title ”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] Type Journal Article
  Year 2023 Publication HumaNetten Abbreviated Journal  
  Volume 50 Issue Pages 76-91  
  Keywords Gender; Women  
  Abstract  
  Address  
  Corporate Author Thesis  
  Publisher Place of Publication Editor  
  Language Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2461  
Permanent link to this record
 
 
Author Hoad, Catherine doi  openurl
  Title Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” Type Journal Article
  Year 2023 Publication Rock Music Studies Abbreviated Journal  
  Volume t.b.c. Issue Pages  
  Keywords Nu metal; Otherness; Representation; Whiteness; Masculinity  
  Abstract  
  Address  
  Corporate Author Thesis  
  Publisher Place of Publication Editor  
  Language Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2464  
Permanent link to this record
 
 
Author Gallina, Francesco isbn  openurl
  Title La fisica del rock. Da Einstein, Lovecraft e Paperino a Jeeg Robot, ai Queen e all'Universo degli Epica Type Book Whole
  Year 2023 Publication Abbreviated Journal  
  Volume Issue Pages  
  Keywords  
  Abstract  
  Address  
  Corporate Author Thesis  
  Publisher Arcana Place of Publication Roma Editor  
  Language Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN 9788892772274 Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2468  
Permanent link to this record
 
 
Author Pichler, Peter url  doi
openurl 
  Title To the sources! On historical source criticism in metal studies Type Journal Article
  Year 2023 Publication Popular Music History Abbreviated Journal  
  Volume 15 Issue 1 Pages 54–77  
  Keywords Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes  
  Abstract Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research.  
  Address 15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom  
  Corporate Author Thesis  
  Publisher Equinox Publishing Ltd Place of Publication United Kingdom Editor Catherine Strong; Shane Homan  
  Language English Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN 1740-7133 (Print); 1743-1646 (Online) ISBN Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number INTech @ brianhickam2019 @ Serial 2469  
Permanent link to this record
 
 
Author Tapia, Reynaldo openurl 
  Title Observaciones y Resumen del Primer Congreso y Encuentro de Rock y Metal en Bolivia Type Book Chapter
  Year 2023 Publication Perspectivas y Resistencias Musicales Abbreviated Journal  
  Volume Issue Pages 17-36  
  Keywords Bolivia; Conferences  
  Abstract  
  Address  
  Corporate Author Thesis  
  Publisher Ediciones Rincón Place of Publication La Paz Editor  
  Language Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2481  
Permanent link to this record
 
 
Author Tapia, Reynaldo openurl 
  Title Perspectivas y Resistencias Musicales Type Journal Article
  Year 2023 Publication Abbreviated Journal  
  Volume Issue Pages  
  Keywords Bolivia  
  Abstract  
  Address  
  Corporate Author Thesis  
  Publisher Ediciones Rincón Place of Publication La Paz Editor  
  Language Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2482  
Permanent link to this record
 
 
Author Švehla, Martin url  openurl
  Title Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation] Type Book Whole
  Year 2023 Publication Abbreviated Journal  
  Volume Issue Pages  
  Keywords Fandom; Politics; History  
  Abstract  
  Address  
  Corporate Author Thesis Bachelor's thesis  
  Publisher Univerzita Palackého v Olomouci Place of Publication Olomouc Editor  
  Language Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2453  
Permanent link to this record
 
 
Author Prown, Pete isbn  openurl
  Title Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World Type Book Whole
  Year 2023 Publication Abbreviated Journal  
  Volume Issue Pages 192  
  Keywords  
  Abstract “From metal pioneers like Black Sabbath’s Tony Iommi, Led Zeppelin’s Jimmy Page, and Deep Purple’s Ritchie Blackmore to today’s hottest shredders, thrashers, and riffers, Ultimate Heavy Metal Guitars is your guide to the instruments and musicians that made metal. Author and guitar journalist Pete Prown presents his subjects by metal-defining eras and subgenres, including: early metal, hard rock and arena rock, prog rock, Euro metal, hair metal, shred, thrash, and more.” (source: Amazon.com)  
  Address  
  Corporate Author Thesis  
  Publisher Motorbooks Place of Publication Editor  
  Language English Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN 0760377758; 978-0760377758 Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number INTech @ brianhickam2019 @ Serial 2515  
Permanent link to this record
 
 
Author Batista, Marcelo R. url  isbn
openurl 
  Title United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991 Type Book Whole
  Year 2023 Publication Abbreviated Journal  
  Volume Issue Pages 528  
  Keywords Brasil; Brazil; Sepultura; Carcass; Darkthrone; Mystifier; Sarcófago  
  Abstract “This massive 528pp document of the 1980s Brazilian metal uprising includes over 1,000 images, photos, and flyers in ten narrative chapters...United Forces presents the story in vivid color, along with Batista's own headbanger tale―from humble origins collecting scrap metal to buy Motörhead albums to DIY operator funneling his country's metal passion to receptive listeners in Europe and North America. The changes in Brazil during the 1980s and early 1990s serve as background for a full-bore metal revolution, as Batista's story brings to life the crucial South-of-the-equator 1980s scene that inspired all the forthcoming underground extremes to come.” (source: Amazon.com)  
  Address  
  Corporate Author Thesis  
  Publisher Bazillion Points Place of Publication Editor  
  Language English Summary Language Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN 1935950215; 978-1935950219 Medium  
  Area Expedition Conference  
  Notes Approved no  
  Call Number INTech @ brianhickam2019 @ Serial 2516  
Permanent link to this record
 
 
Author Martínez, Susana González url  isbn
openurl 
  Title Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula Type Book Whole
  Year 2023 Publication Abbreviated Journal  
  Volume Issue Pages 528  
  Keywords  
  Abstract Esta tesis presenta, en primer lugar, una indagación profunda sobre las manifestaciones feministas en la música y cultura metal, desde un abordaje transdisciplinar y multidimensional. En tal sentido, el texto ofrece un análisis crítico exhaustivo de los diversos discursos, procesos relacionales y prácticas corporales del metal feminista en diferentes contextos del Norte y el Sur Global, desde un enfoque interseccional, psicosociológico y pedagógico feminista. Tal análisis está basado en entrevistas en profundidad realizadas con 21 bandas feministas de metal de diferentes países, 32 letras de canciones y 19 portadas de álbumes. Así como otras fuentes complementarias, tales como imágenes promocionales, declaraciones de las bandas en medios, webs/perfiles promocionales, y perfiles personales de las/los artistas en redes sociales. De otro lado, esta tesis, entra en conversación con el campo más amplio de las artes —de forma comparativa— ofreciendo una identificación de los vínculos y distancias del metal feminista con el arte feminista de los 70. Delinea, por otro lado, un patrón didáctico observable en la práctica metal extrema feminista, que permite su conceptualización como praxis liberatoria y, finalmente, como un ejercicio bastardo de a/r/t/ografía ritual social.

En segundo término, el texto muestra el desarrollo de un proyecto de investigación-acción participativa (IAP) internacional, con la comunidad feminista del metal. La IAP —desarrollada en entornos virtuales por un grupo de 36 personas (artistas, activistas y académicas) integrantes de las escenas de metal— ofrece un diagnóstico social sobre las barreras de género que afectan la participación en las diferentes escenas de metal, en contextos del Norte y el Sur Global. Dicho diagnóstico social está desarrollado a partir de una revisión bibliográfica panorámica y una encuesta virtual global, en la que han participado 32 países. Al tiempo, la IAP ha generado varios productos destinados a la intervención/devolución comunitaria de la información obtenida.

Por ende, se ofrecen en este texto: un artículo colectivo, una web, un vídeo-hechizo en consonancia con las estrategias simbólicas del metal feminista, y la serie de vídeos explicativos No Me Toques el Ampli. Con todo, el diseño del proyecto IAP ha conseguido informar de forma rigurosa sobre la clave contextual del fenómeno de estudio objeto de esta disertación —el metal feminista—, al tiempo que ha contribuido a realizar un aporte en pro de los intereses de los sujetos/comunidades de estudio. Por último, esta tesis muestra el desarrollo de una experiencia piloto en el ámbito educativo, que ha tenido como fin explorar la potencialidad que tienen las estrategias y técnicas artísticas del metal feminista identificadas, como herramientas en el marco de las pedagogías feministas restaurativas.

En conclusión, este estudio contribuye a la comprensión de las expresiones artístico-políticas feministas dentro del campo especializado de los estudios del metal y, del arte feminista, en un sentido más amplio. Asimismo, ha servido al impulso de las reivindicaciones feministas en las escenas artísticas del metal, haciendo permeables los límites de la investigación académica —en particular dentro del campo del metal— mediante un enfoque metodológico socialmente comprometido. De otro lado, realiza un aporte a las pedagogías feministas restaurativas, a través de la exploración de una fórmula didáctica innovadora, centrada en el uso de nuevas herramientas y técnicas. En un sentido más amplio y último término, este estudio pone un granito de arena a la empresa utópica de la llamada ecología de saberes —a partir de la interacción de prácticas científicas, prácticas artísticas subalternizadas y saberes encarnados— como una fuente de conocimiento valioso, para activar un pensamiento científico interconectado, siguiendo a Boaventura de Sousa Santos (2010, pp. 52-53).

[This dissertation presents, first, an in-depth perusal of feminist artistic manifestations in metal music and culture from a transdisciplinary and multidimensional approach. In this sense, the text offers an exhaustive critic analysis of the diverse discourses, relational processes, and bodily practices of feminist metal in different contexts of the Global North and South from an intersectional, psycho-sociological, and pedagogical feminist approach. The analysis is based on in-depth interviews conducted with 21 feminist metal bands from different countries, 32 song lyrics and 19 album covers. As well as other complementary sources, such as promotional images, statements of the bands in the media, promotional websites/profiles, and personal profiles of the artists in social networks. Likewise, this dissertation, enters conversation with the broader field of the arts —in a comparative way— offering an identification of the links and distances of feminist metal with feminist art of the 1970s. On the other hand, it delineates a didactic pattern observable in extreme feminist metal music, which allows its conceptualization as a liberatory praxis and, finally, as a bastard exercise in socioritual a/r/t/ography.

Secondly, the text explains the development of an international participatory action-research (AR) project with the feminist metal community. The AR — developed in virtual environments by a group of 36 people (artists, activists, and academics) from the metal scenes— offers a social diagnosis of the gender barriers that affect participation in the different metal scenes in contexts of the Global North and South. This social diagnosis is based on a panoramic literature review and a global survey in which 32 countries participated. At the same time, the AR project has generated several products aimed at community intervention/dissemination of the information obtained.

Thus, this thesis offers the following: a collective article, a web page, a video-spell in line with the symbolic strategies of feminist metal, and the series of explanatory videos Don't Touch My Amp. All in all, the design of the AR project has succeeded in rigorously informing the contextual key to the study phenomenon object of this dissertation —feminist metal— while contributing to the interests of the subjects and community of study. Finally, this dissertation shows the development of a pilot experience in the educational field, which aimed to explore the potential of the identified feminist metal art strategies and techniques as tools within the framework of restorative feminist pedagogies.

Therefore, this study contributes to the understanding of feminist artisticpolitical expressions within the specialized field of metal studies, and feminist art in a broader sense. It has also served to advance feminist claims in the metal scenes, permeating the boundaries of academic research —particularly within the field of metal— through a methodological approach socially committed. It also contributes to feminist restorative pedagogies by exploring an innovative didactic formula focused on using new tools and techniques. In a broader sense and lastly, this study contributes to the utopian enterprise of the so-called ecology of knowledge —based on the interaction of scientific practices, subalternized artistic practices and embodied knowledge— as a source of valuable knowledge, which activates an interconnected scientific thought, following Boaventura de Sousa Santos (2010, pp. 52-53).]

* Source for both was: https://digibug.ugr.es/handle/10481/89687		  
  Address https://digibug.ugr.es/contact  
  Corporate Author Thesis Doctoral thesis  
  Publisher Universidad de Granada, Escuela de Doctorado de Humanidades, Ciencias Sociales y Jurídicas, Programas de Escuela de Doctorado de Humanidades. Place of Publication Granada, Andalusia, Spain Editor UniveVallecillos, Rafael Liñán; Varas-Díaz, Nelson  
  Language Spanish Summary Language English Original Title  
  Series Editor Series Title (up) Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN 9788411951623 Medium PDF  
  Area Expedition Conference  
  Notes Approved no  
  Call Number INTech @ brianhickam2019 @ Serial 2537  
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