|
|
Carey, J. (2023). Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy. Metal Music Studies, 9(1), 101–118.
|
|
|
|
Jordan, J. B., & Herbst, J. - P. (2023). Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres. Metal Music Studies, 9(1), 27–58.
|
|
|
|
Hudson, S. S. (2023). Song form and storytelling in mainstream metal. Metal Music Studies, 9(1), 7–26.
|
|
|
|
Friconnet, G. (2023). A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music. Metal Music Studies, 9(1), 77–100.
|
|
|
|
Mora-Rioja, A. (2023). Poetry in English and Metal Music. Adaptation and Appropriation Across Media. Cham: Palgrave Macmillan.
|
|
|
|
Nink, T., & Heesch, F. (2023). Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs. Arts, 12(1), 38.
|
|
|
|
Putu Tangkas Adi Hiranmayena. (2023). “FIX YOUR FACE”: Performing Attitudes between Mathcore and Beleganjur. In A. McGraw, & C. J. Miller (Eds.), Sounding Out the State of Indonesian Music (pp. 306–319). Ithaca: Cornell University Press.
|
|
|
|
Wallach, J. (2023). REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist. In C. J. Miller, & A. McGraw (Eds.), Sounding Out the State of Indonesian Music (pp. 162–179). Ithaca: Cornell University Press.
|
|
|
|
Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Epilogue: Metal Unbound. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 387–390). London: Lexington.
|
|
|
|
Yusof, A., & Johan, A. (2023). “Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s). In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 259–280). London: Lexington Books.
|
|
