| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Hutcherson, Ben; Haenfler, Ross |
Musical genre as a gendered process: Authenticity in extreme metal |
2010 |
Studies in Symbolic Interaction |
35 |
101-121 |
| Seixas, Luana Cristina |
Metal Extremo: Est??Tica pesada” No Black Metal |
2018 |
|
|
|
| Walzer, Nicolas |
Anthropologie Du Metal Extreme |
2007 |
|
|
|
| Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
| Riches, Gabrielle; Lashua, Brett; Spracklen, Karl |
Female, Mosher, Transgressor: A ’Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene |
2013 |
IASPM Journal |
4 |
87-100 |
| Kahn-Harris, Keith |
Transgression and mundanity: the global extreme metal music scene |
2001 |
|
|
|
| Dairianathan, Eugene I. |
Vedic metal and the South Indian community in Singapore: problems and prospects of identity |
2009 |
Inter-Asia Cultural Studies |
10 |
585-608 |
| Dairianathan, Eugene |
The Burden of Song: Vedic Metal in Singapore |
2012 |
Journal of Creative Communications |
7 |
243-260 |
| Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
| Dairianathan, Eugene |
Vedic metal and e-mediated space: a perspective from Singapore |
2013 |
Asian Journal of Communication |
23 |
348-367 |
