| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Abbey, Eric James; Helb, Colin (eds) |
Hardcore, punk, and other junk: aggressive sounds in contemporary music |
2014 |
|
|
|
| Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
| Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
| Kahn-Harris, Keith |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
2006 |
The popular music studies reader |
|
128-134 |
| Villalobos Albornoz, Omar |
“Pampa endiablada” y extreme metal: sociología visual y hermenéutica del diseño |
2015 |
Revista de Estudios Cotidianos |
3 |
253-286 |
| Thomson, Andrew |
Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music |
2020 |
|
|
|
| Ortiz Cora, Laila Eréndira |
La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
93-109 |
| Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
|
|
|
| Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
| González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
