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Abstract: “Hispanic Issues On Line (HIOL) is a refereed, open-access scholarly electronic series founded in 2006 and devoted to the study of Hispanic and Lusophone cultures. HIOL is stored at the University of Minnesota's Digital Conservancy as well as the LOCKSS system, which ensures preservation at worldwide research libraries.”
Source: https://cla.umn.edu/hispanic-issues/online-volumes
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Abstract: REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad.
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Varas-Díaz, N. (2021). Decolonial Metal Music in Latin America. Bristol: Intellect Books.
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Wallach, J. (2020). Global Rock as Postcolonial Soundtrack. In A. Moore, & P. Carr (Eds.), The Bloomsbury Handbook of Rock Music Research (pp. 469–485). New York: Bloomsbury.
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Wallach, J. (2003). “Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. In H. M. Berger, & M. T. Carroll (Eds.), Global Pop, Local Language (pp. 53–86). Jackson: University Press of Mississippi.
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Coggins, O. (2021). Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture. In I. Kinane (Ed.), Isn't it Ironic? Irony in Contemporary Popular Culture. Abingdon & New York: Routledge.
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Messick, K. J. (2021). Metal for the masses: How indie metal labels have adapted for the digital era. In V. Sarafian (Ed.), La route vers l'indépendance. L'industrie musicale en transition. Toulouse: Presses de l'Université Toulouse 1 Capitole.
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