| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Nenadalová, Jana; Menšíková, Tereza |
“Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies |
2022 |
Religio: Revue pro religionistiku |
30 |
77-80 |
|
|
|
Neplokh, Vassili |
Metal som filmmusik i actionkomedi [Metal as Film Music in Action Comedy] |
2022 |
|
|
|
|
|
|
Skeech, Michael |
The Biology of Heavy Metal. Evolutionary Links Between Science and Culture |
2022 |
|
|
|
|
|
|
Forshaw, Juliet |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
2011 |
Current Musicology |
91 |
139-160 |
|
|
|
Koplow Villavicencio, Jan |
Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar |
2022 |
Contrapulso – Revista Latinoamericana De Estudios En Música Popular |
4 |
78-93 |
|
|
|
Eckerström, Pasqualina |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
2022 |
Contemporary Islam |
|
|
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
|
|
|
Tapia, Reynaldo; Mendoza, Boris |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
2022 |
Metal Music Studies |
8 |
143-161 |
|
