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| Author | Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de | ||||
| Title | Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes | Type | Journal Article | ||
| Year | 2023 | Publication | Poetics | Abbreviated Journal | |
| Volume | 99 | Issue | Pages | 101803 | |
| Keywords | Sociology; Social relations | ||||
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Series Issue | Edition | |||
| ISSN | 0304422X | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2460 | ||
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| Author | Kjellander Hellqvist, Eva | ||||
| Title | ”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] | Type | Journal Article | ||
| Year | 2023 | Publication | HumaNetten | Abbreviated Journal | |
| Volume | 50 | Issue | Pages | 76-91 | |
| Keywords | Gender; Women | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2461 | ||
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| Author | Landes, Nathan | ||||
| Title | “That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons | Type | Book Whole | ||
| Year | Publication | Abbreviated Journal | |||
| Volume | Issue | Pages | |||
| Keywords | Metal Studies; Equality; Inclusion | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Indiana University | Place of Publication | Ann Arbor | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2462 | ||
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| Author | Herbst, Jan-Peter (ed) | ||||
| Title | The Cambridge Companion to Metal Music | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 320 | ||
| Keywords | Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance | ||||
| Abstract | “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com). “Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/). Collection: The Cambridge Companions to Music. |
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| Publisher | Cambridge University Press | Place of Publication | Cambridge, England | Editor | Herbst, Jan-Peter |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Cambridge Companions to Music | Abbreviated Series Title | ||
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Series Issue | Edition | |||
| ISSN | ISBN | 978-1108845861; 978-1108993982; eBook: 9781108991162 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2463 | ||
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| Author | Hoad, Catherine | ||||
| Title | Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” | Type | Journal Article | ||
| Year | 2023 | Publication | Rock Music Studies | Abbreviated Journal | |
| Volume | t.b.c. | Issue | Pages | ||
| Keywords | Nu metal; Otherness; Representation; Whiteness; Masculinity | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2464 | ||
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| Author | Dawes, Laina | ||||
| Title | “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Race; Representation; Extreme Metal | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Columbia University | Place of Publication | New York | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2465 | ||
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| Author | Arenillas Meléndez, Sara | ||||
| Title | Negociaciones de la masculinidad en el heavy español de los ochenta | Type | Journal Article | ||
| Year | 2021 | Publication | Feminismo/s | Abbreviated Journal | |
| Volume | 38 | Issue | Pages | 261-279 | |
| Keywords | Masculinity; Spain; NWOBHM; Glam metal | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2466 | ||
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| Author | Setničar, Robert | ||||
| Title | “From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] | Type | Book Whole | ||
| Year | 2020 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Black Sabbath (band); Doom metal; Style | ||||
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| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Univerza v Ljubljani | Place of Publication | Ljubljana | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2467 | ||
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| Author | Gallina, Francesco | ||||
| Title | La fisica del rock. Da Einstein, Lovecraft e Paperino a Jeeg Robot, ai Queen e all'Universo degli Epica | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
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| Publisher | Arcana | Place of Publication | Roma | Editor | |
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| ISSN | ISBN | 9788892772274 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2468 | ||
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| Author | Pichler, Peter | ||||
| Title | To the sources! On historical source criticism in metal studies | Type | Journal Article | ||
| Year | 2023 | Publication | Popular Music History | Abbreviated Journal | |
| Volume | 15 | Issue | 1 | Pages | 54–77 |
| Keywords | Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes | ||||
| Abstract | Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. | ||||
| Address | 15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom | ||||
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| Publisher | Equinox Publishing Ltd | Place of Publication | United Kingdom | Editor | Catherine Strong; Shane Homan |
| Language | English | Summary Language | Original Title | ||
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| ISSN | 1740-7133 (Print); 1743-1646 (Online) | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2469 | ||
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