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García Castiblanco, N., & Cáceres Parra, J. (2022). Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras, 1(1).
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Migeon-Lambert, C. (2021). Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann. In M. Plana, & F. Sounac (Eds.), Identités de l'artiste – Pratiques, représentations, valeurs (pp. 63–82). Dijon: EU de Dijon.
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Birnie-Smith, J., & Robertson, W. C. (2021). Superdiversity and translocal brutality in Asian extreme metal lyrics. Language & Communication, 81, 48–63.
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Hassan, N. (2021). Metal on Merseyside: Music Scenes, Community and Locality. Cham: Palgrave Macmillan.
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Quinn, K., & Baines, D. (2021). Awesome metalcore therapy: using heavy metal music in therapeutic work with voices. In I. Parker, J. Schnackenberg, & M. Hopfenbeck (Eds.), The Practical Handbook of Hearing Voices: Therapeutic and creative approaches. Monmouth: PCCS Books.
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Herbst, J. - P. (2021). (No?) Adventures in Recording Land: Engineering Conventions in Metal Music. Rock Music Studies, t.b.c..
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Herbst, J. - P. (2021). Nail the Mix: Standardization in Mixing Metal Music? Popular Music and Society, t.b.c..
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Rogers, A. S., & Deflem, M. (2021). Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture. London: Anthem Press.
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Swiniartzki, M. (2021). Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994). Journal of Popular Music Studies, 33(3), 168–193.
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Kinnunen, M., & Honkanen, A. (2021). Femininity in metal fanship: “I do not need to take anyone along”. Metal Music Studies, 7(2), 211–235.
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