| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
|
|
|
Pichler, Peter |
„Breaking the Law…!?“ Zur Rolle von Recht und Rechtsbezug in der Kulturgeschichte der steirischen Heavy Metal-Szene seit 1980 |
2021 |
Graz Law Working Paper |
|
|
|
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
|
Pascuchelli, María Natalia; Vidal Vargas, Pablo |
Los estudios metálicos (metal studies) en Latinoamérica y Argentina: un posible estado del arte |
2021 |
El oído pensante |
9 |
252-278 |
|
|
|
Marstal, Henrik |
Mercyful Fate's “Don't Break the Oath” |
2021 |
|
|
|
|
|
|
Radovanović, Bojana |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
2021 |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
|
97-110 |
|
|
|
Swist, Jeremy J. |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
2021 |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
|
200-229 |
|
|
|
Pérez Pelayo, Marisol |
El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal |
2021 |
Lenguas Radicales |
1 |
7-18 |
|
|
|
Calvo, Manuela |
Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos |
2021 |
Tropos: Comunicação, Sociedade e Cultura |
10 |
s.p. |
|
|
|
Overell, Rosemary |
Voicing the Real in Extreme Metal |
2021 |
Continental Thought & Theory |
3 |
136-163 |
|
