| Records |
| Author |
Mora Rioja, Arturo |
| Title |
“Into the Valley of Death”: A Textual and Musical Analysis of Metal Music’s Adaptation, Appropriation, and Quotation of Poetry in English |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Intertextuality; Poetry |
| Abstract |
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Thesis  |
Ph.D. thesis |
| Publisher |
UNED |
Place of Publication |
Madrid |
Editor |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2325 |
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| Author |
Piper, Jonathan |
| Title |
Locating Experiential Richness in Doom Metal |
Type |
Book Whole |
| Year |
2013 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Doom Metal; Experience; Aesthetics |
| Abstract |
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Thesis |
Ph.D. thesis |
| Publisher |
University of California, San Diego |
Place of Publication |
San Diego |
Editor |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2329 |
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| Author |
Doesburg, Charlotte |
| Title |
The Adaptation and Appropriation of the “Kalevala” and Folk Poetry in Finnish Metal Music |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Finnland; Folklore; Identity |
| Abstract |
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Thesis |
Ph.D. thesis |
| Publisher |
University of London |
Place of Publication |
London |
Editor |
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Summary Language |
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Original Title |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2336 |
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| Author |
Lucas, Olivia R. |
| Title |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
Type |
Book Whole |
| Year |
2016 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Extreme metal; Loudness; Complexity; Musicology; Theory |
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Thesis |
Ph.D. thesis |
| Publisher |
Harvard University |
Place of Publication |
Cambridge |
Editor |
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| Language |
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Original Title |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2385 |
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| Author |
Garrett, Ryan D. |
| Title |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
Type |
Book Whole |
| Year |
2023 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Masculinty; History |
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Thesis |
Ph.D. thesis |
| Publisher |
Ohio University |
Place of Publication |
Athens |
Editor |
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Summary Language |
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Medium |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2459 |
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| Author |
Landes, Nathan |
| Title |
“That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons |
Type |
Book Whole |
| Year |
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Publication |
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Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Metal Studies; Equality; Inclusion |
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Thesis |
Ph.D. thesis |
| Publisher |
Indiana University |
Place of Publication |
Ann Arbor |
Editor |
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Summary Language |
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Original Title |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2462 |
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| Author |
Dawes, Laina |
| Title |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
Type |
Book Whole |
| Year |
2022 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Race; Representation; Extreme Metal |
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Thesis |
Ph.D. thesis |
| Publisher |
Columbia University |
Place of Publication |
New York |
Editor |
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Original Title |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2465 |
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| Author |
Mynett, Mark |
| Title |
Contemporary Metal Music Production |
Type |
Book Whole |
| Year |
2013 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Music Production |
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Thesis |
Ph.D. thesis |
| Publisher |
University of Huddersfield |
Place of Publication |
Huddersfield |
Editor |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2580 |
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| Author |
Guzman, Carmen |
| Title |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Babymetal (band); Authenticity; Decolonisation; Music industry |
| Abstract |
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Thesis |
Master's thesis |
| Publisher |
University of Anchorage |
Place of Publication |
Anchorage |
Editor |
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Original Title |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2138 |
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| Author |
Yang, Zixuan |
| Title |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
Type |
Book Whole |
| Year |
2019 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
179 |
| Keywords |
Service design; Subculture; Music; Heavy metal; Marketing; Business strategy |
| Abstract |
Since the first album that Black Sabbath released in 1970, the 50-year-long history of heavy metal music makes it has developed into a diversified but controversial subculture all over the world. Even though several big names, such as Metallica, Iron Maiden or Judas Priest, have gained commercial success and mainstream exposure, most of the heavy metal bands, fans and communities are still far from a stable status. The market scale is threatened by poor social acceptance and incorrect stereotypes and is too limited to develop an operational model for heavy metal music communities as mature as mainstream music production in this current state. The goal of this thesis is to: 1) explore the core value of heavy metal subculture and design an organizational strategy to strengthen the connection between various roles within the community. The research was divided into three parts. The first part is the quantitative research on the development of heavy metal music in different regions, shows the regional trends of heavy metal subculture. The second part is the qualitative evaluation of heavy metal albums’ covers and lyrics, and documentary films about heavy metal music. The third part is the interviews with record shop owners. The first part Borrowing the CIS (Corporation Identity System) from the business field, the data collected during the second stage could be categorized into visual identities, communication identities, and behavior identities. The data collected from interviews are organized into a system map to show the current organizational strategy. The conclusion, this thesis proposes a new type of organizational strategy that supports the local heavy metal subculture community, in order to help stabilize the market and strengthen connections of community members through participation in it. Furthermore, inspired by the proposed strategy, more universal strategies and guidelines for other types of subculture are discussed. |
| Address |
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Thesis |
Master's thesis |
| Publisher |
University of Cincinnati |
Place of Publication |
Ann Arbor |
Editor |
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Edition |
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ISBN |
9781687936882 |
Medium |
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Expedition |
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| Notes |
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Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2200 |
| Permanent link to this record |
