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| Author | Mudrian, Albert (ed) | ||||
| Title | The Decibel Hall of Fame Anthology: Volume III | Type | Book Whole | ||
| Year | 2020 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 364 | ||
| Keywords | Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath. | ||||
| Abstract | Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums. In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover. |
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| Publisher | dB Books | Place of Publication | Editor | Mudrian, Albert | |
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2275 | ||
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| Author | Makkonen, Markus; Strömsholm, Kim | ||||
| Title | Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 364 | ||
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| Abstract | Decibel Books proudly presents Rotting Ways to Misery: The History of Finnish Death Metal. The definitive guide to the magical and morbid world of Finnish death metal, has been completely redesigned and edited for a North American release! Authors Markus Makkonen and Kim Strömsholm explore the extreme metal and thrash scenes of late ’80s, the short-lived but explosive scene of the early ’90s and the eventual devastating resurgence of death metal within the country. Limited to 1,000 copies. 364 pages, hardcover. Includes previously unpublished photos and exclusive interviews with artists. | ||||
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| Publisher | dB Books | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2276 | ||
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| Author | Riekki, Matti | ||||
| Title | North From Here: The Sentenced Story (English edition) | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 262 | ||
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| Abstract | Founded in 1989, metal band Sentenced was a pioneer of Finnish heavy music. The band’s melancholy tunes had a universal appeal that spoke to audiences far further afield than just in their native North, with more than a million records sold worldwide. Over the course of their sixteen-year long career, Sentenced toured Europe and North America extensively. The story of these Northern Ostrobothnian (anti)heroes takes them on a wild ride through early teenage bravado to ludicrously absurd and profoundly tragic twists of fate. Along the way you’ll learn their songwriting secrets, experience unforgettable shows and explore the deepest troughs of despair that is life on tour. Deathly disaster and Northern gallows humour; triumphs and squandered opportunities. These heavy-drinking, famously taciturn men in black tell the tale of what it was like to play in the band called Sentenced. Author Matti Riekki is a music journalist specialising in heavy rock, known as the host of the late national radio show Metalliliitto and the longstanding Editor-in-Chief of Finnish heavy metal magazine Inferno. |
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| Publisher | Svart Records | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2277 | ||
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| Author | Riekki, Matti | ||||
| Title | Täältä Pohjoiseen: Sentencedin Tarina | Type | Book Whole | ||
| Year | 2014 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 262 | ||
| Keywords | Sentenced, Death Metal, Melodic Death Metal, Gothic Metal, Finland | ||||
| Abstract | “Sekä puhumiseen että riemuitsemiseen pätee sama perussääntö: näitä tehdään vain kun on oikea tarve. Valittamiseen ja murehtimiseen riittää toki vähempikin.”Vuonna 1989 perustettu Sentenced oli suomalaisen raskaan rockin uranuurtaja. Melankoliasta voimaa puristanut yhtye vetosi muuallakin kuin Pohjolassa, ja sen levymyynti hipoo maailmanlaajuisesti miljoonaa. Kuusitoistavuotisen uransa aikana Sentenced teki lukuisia kiertueita Euroopassa ja Pohjois-Amerikassa. Vankka suosio Keski-Euroopassa teki yhtyeelle tutuksi muun muassa Berliinin ja Dortmundin klubit sekä festivaalit Saksan Rock Hardista Hollannin legendaariseen Dynamo Open Airiin. Euroopan laitoja yhtye kolusi aina Lontoon Astoria-klubilta Roomaan ja Osloon, joista jälkimmäisiä bändi muistaa kiertueuran pahoina paikkoina. Euroopan lisäksi lähinnä Yhdysvalloissa kiertänyt yhtye nousi viimeisellä ulkomaankiertueellaan vuonna 2005 lauteille myös Moskovassa ja Mexico Cityssä, missä mukana laulava yleisömassa sai keikkapaikan seinät tutisemaan ja lopettamispäätöksen tehneen bändin jäsenten silmäkulmat kostumaan.Pohjoispohjalaisten teinipoikien uhosta alkanut tarina on täynnä poskettomia käänteitä ja syvää tragiikkaa. Biisien synnyn salat, ikimuistoiset keikat ja kiertue-elämän alhot. Kuolemanvakavat kohtalot ja pohjoispohjalainen hirtehishuumori, saavutukset ja menetetyt mahdollisuudet. Raskaasti ryyppäävinä, mustiin pukeutuvina tuppisuina tunnetut miehet kertovat, mitä oli soittaa yhtyeessä nimeltä Sentenced. | ||||
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| Publisher | Like Kustannus Oy | Place of Publication | Editor | ||
| Language | Finnish | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2278 | ||
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| Author | Michalewicz, Aleks | ||||
| Title | Gods amongst us/gods within: the black metal aesthetic | Type | Book Chapter | ||
| Year | 2007 | Publication | Super/heroes: From Hercules to Superman | Abbreviated Journal | |
| Volume | Issue | Pages | 211-222, 385-388 | ||
| Keywords | Black metal; Aesthetics | ||||
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| Publisher | New Academia Publishing | Place of Publication | Washington | Editor | Haslem, Wendy; Ndalianis, Angela; Mackie, Chris |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2279 | ||
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| Author | Yépez Aguirre, Jimmy Renzo | ||||
| Title | La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 | Type | Journal Article | ||
| Year | 2019 | Publication | Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma | Abbreviated Journal | Pluriversidad |
| Volume | Issue | 3 | Pages | 21 | |
| Keywords | Individualism; mercantilism; fetichism; rock music; habitus-field | ||||
| Abstract | This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. | ||||
| Address | Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe | ||||
| Corporate Author | Thesis |
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| Publisher | Universidad Ricardo Palma | Place of Publication | Lima, República del Perú | Editor | Martínez Llaque, José |
| Language | Spanish | Summary Language | English | Original Title | |
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| ISSN | Print: 2617-6254 / Online: 2617-6262 | ISBN | Medium | ||
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| Notes | Creative Commons 4.0 (CC BY-NC) | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2282 | ||
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| Author | Yépez Aguirre, Jimmy Renzo | ||||
| Title | Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 | Type | Journal Article | ||
| Year | 2017 | Publication | Anales Científicos | Abbreviated Journal | |
| Volume | 78 | Issue | 2 | Pages | 80-91 |
| Keywords | Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society | ||||
| Abstract | This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. | ||||
| Address | https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 | ||||
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| Publisher | Universidad Nacional Agraria La Molina, Lima - Perú | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | English | Original Title | |
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| ISSN | Print: 0255-0407 / Online: 2519-7398 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2283 | ||
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| Author | Yepes Aguirre, Jimmy Renzo | ||||
| Title | Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 | Type | Journal Article | ||
| Year | 2013 | Publication | Investigaciones Sociales | Abbreviated Journal | |
| Volume | 17 | Issue | 30 | Pages | 279-290 |
| Keywords | Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú | ||||
| Abstract | Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. | ||||
| Address | https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 | ||||
| Corporate Author | Thesis |
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| Publisher | Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales | Place of Publication | Lima, República del Perú | Editor | |
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| ISSN | Print: 1560-9073 / Online: 1818-4758 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2284 | ||
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| Author | Sylvester, Steve; Cioppi, Gianni Della | ||||
| Title | The Necromancer of Rock: The Origins of Death SS | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 207 | ||
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| Publisher | Ajna Bound | Place of Publication | Jacksonville, OR | Editor | |
| Language | English | Summary Language | Original Title | ||
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| ISSN | ISBN | 978-1-7348950-1-8 | Medium | ||
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| Notes | Translated by Alberto Brandi. A first edition of this book was published in 2011 by Crac Edizioni-Falconara Marittima (AN) | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2286 | ||
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| Author | Cárdenas Azuaje, Diana María | ||||
| Title | MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ | Type | Book Chapter | ||
| Year | 2021 | Publication | Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad | Abbreviated Journal | |
| Volume | Issue | Pages | 355-393 | ||
| Keywords | Bogotá; música Metal; mujeres; representaciones sociales | ||||
| Abstract | El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal. Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres. Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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| Address | https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ | ||||
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| Publisher | Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) | Place of Publication | XALAPA, VERACRUZ, MÉXICO | Editor | ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
| Language | Spanish | Summary Language | Original Title | ||
| Series Editor | Series Title | Colección Imaginarios y Representaciones | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | First | ||
| ISSN | ISBN | 978-607-99388-5-7 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2288 | ||
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