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Varas-Díaz, N., Nevárez Araujo, D., & Rivera-Segarra, E. (2020). Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America. In Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 7–36). Lanham: Lexington Books.
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Pack, C. M. (2020). “Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 39–60). Lanham: Lexington Books.
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Sánchez Mondaca, M. (2020). Dictatorship and Metal in Chile: A Causal Relationship? In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 61–80). Lanham: Lexington Books.
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Lagos Chacón, P. M. (2020). The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 81–106). Lanham: Lexington Books.
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López Ramírez Gastón, J. I. (2020). Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 107–130). Lanham: Lexington Books.
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Fernández Lozano, M. (2020). The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 133–160). Lanham: Lexington Books.
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Rodríguez Molinari, M. X. (2020). In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 161–182). Lanham: Lexington Books.
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Calvo, M. B. (2020). Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 183–200). Lanham: Lexington Books.
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Scaricaciottoli, E. (2020). America, Avenge Yourself: The Emergence of Combative Discourse and Other Recent Directions in Contemporary Argentinian Metal (An Exploration in Three Movements). In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 201–216). Lanham: Lexington Books.
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Castañeda Maldonado, M. E. (2020). The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 219–238). Lanham: Lexington Books.
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