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| Author | Svetlova, Anna | ||||
| Title | The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm] | Type | Journal Article | ||
| Year | 2018 | Publication | Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura | Abbreviated Journal | |
| Volume | 10 | Issue | 3 | Pages | |
| Keywords | Nightwish (band); Lyrics; Romanticism | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2002 | ||
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| Author | Almer, Jiří; Ondřej, Daniel | ||||
| Title | “666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind | Type | Journal Article | ||
| Year | 2018 | Publication | Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology) | Abbreviated Journal | |
| Volume | XLVI | Issue | 274 | Pages | 199-214 |
| Keywords | Black Metal; Porno-Gore Grind; Pornography; Sexism | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2075 | ||
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| Author | St-Laurent, Méi-Ra; Smialek, Eric | ||||
| Title | Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization | Type | Book Chapter | ||
| Year | 2018 | Publication | The Routledge Companion to Popular Music Analysis: Expanding Approaches | Abbreviated Journal | |
| Volume | Issue | Pages | 378-399 | ||
| Keywords | Complexity; Musicology; Elitism; High culture | ||||
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| Publisher | Routledge | Place of Publication | Abingdon & New York | Editor | Scotto, Ciro; Smith, Kenneth; Brackett, John |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2080 | ||
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| Author | Busey, Sean D. | ||||
| Title | Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children | Type | Book Whole | ||
| Year | 2018 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 67 | ||
| Keywords | Activism; American history; Censorship; Children; Communication and the arts; Conservativism; Heavy metal; PMRC; Political science; Social sciences | ||||
| Abstract | Historians have long overlooked and misunderstood the Parents Music Resource Center, an activist group formed in 1985 to correct perceived excesses in heavy metal music. Scholars have focused their analyses almost exclusively on the First Amendment implications of the group’s actions, largely dismissing the PMRC in the process. This thesis argues that by expanding the historical analysis of the group to include the social and political climate of previous generations and of the 1980s, the self-stated goals of the PMRC, and a musicological discussion of heavy metal and why the group specifically targeted this genre, we can see that the PMRC was in fact an incredibly influential sociopolitical activist group that is representative of the political shift in the United States in the 1980s. | ||||
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| Publisher | University of Nevada | Place of Publication | Ann Arbor | Editor | |
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| ISSN | ISBN | 978-0-438-17184-8 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2206 | ||
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| Author | Andrew Klein | ||||
| Title | Blood, Frets and Tears | Type | Miscellaneous | ||
| Year | 2018 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 1'15" | ||
| Keywords | Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X | ||||
| Abstract | “Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) / Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story); Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video). |
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2272 | ||
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| Author | Heesch, Florian | ||||
| Title | Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) | Type | Journal Article | ||
| Year | 2018 | Publication | Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines | Abbreviated Journal | |
| Volume | 11 | Issue | Pages | 1-18 | |
| Keywords | Aggression, Death metal, Gender and music, Vocal practice, vocal sound | ||||
| Abstract | Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence. - Résumé: Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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| Address | https://journals.openedition.org/ | ||||
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| Publisher | OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) | Place of Publication | Marseille, France | Editor | |
| Language | English | Summary Language | Original Title | ||
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| ISSN | 2108-6907 | ISBN | Medium | ||
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| Notes | https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2320 | ||
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| Author | Guibert, Gérôme | ||||
| Title | Marche ou crève: The band Trust and the singular case of the birth of French heavy metal | Type | Book Chapter | ||
| Year | 2018 | Publication | Made in France: Studies in Popular Music | Abbreviated Journal | |
| Volume | Issue | Pages | 296 | ||
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| Abstract | Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. | ||||
| Address | 711 Third Avenue, New York, NY 10017 | ||||
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| Publisher | Routledge | Place of Publication | New York, NY | Editor | Gérôme Guibert, Catherine Rudent |
| Language | English | Summary Language | Original Title | ||
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| ISSN | ISBN | 978-1-138-79304 (hbk), 978-1-315-76161 (ebk) | Medium | ||
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| Notes | paperback, hardback, eBook | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2470 | ||
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| Author | Guberman, Daniel | ||||
| Title | Massive Scar Era, Heavy Metal, and Two Tyrannies | Type | Book Chapter | ||
| Year | 2018 | Publication | Tyrannny and Music | Abbreviated Journal | |
| Volume | Issue | Pages | 183-198 | ||
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| Publisher | Lexington Books | Place of Publication | New York | Editor | Joseph E. Morgan; Gregory N. Reish |
| Language | English | Summary Language | Original Title | ||
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| ISSN | ISBN | 9781498546812 (hardback); 9781498546829 (eBook) | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2513 | ||
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| Author | Kahrimanović, Šahim | ||||
| Title | Fenomen nasilja i heavy metal muzika [Phenomen Violence and Heavy metal Music] | Type | Journal Article | ||
| Year | 2018 | Publication | Društvene devijacije [Social Deviations] | Abbreviated Journal | |
| Volume | 3 | Issue | Pages | 310-319 | |
| Keywords | Violence; Lyrics; Extreme metal | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2583 | ||
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| Author | Juszczyk, Andrzej | ||||
| Title | The Global and Local Dimension of Metal Music | Type | Journal Article | ||
| Year | 2018 | Publication | Annales Universitatis Paedagogicae Cracoviensis | Studia De Cultura | Abbreviated Journal | |
| Volume | 14 | Issue | 3 | Pages | 63-71 |
| Keywords | Africa; Asia; Non-Western Scenes | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2584 | ||
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