| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Roby, David Allen |
Crust Punk: An Anarchist Political Epistemology |
2021 |
|
|
204 |
| Núñez, María de la Luz |
De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. |
2022 |
|
|
103 |
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Castillo Bernal, Stephen |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
2007 |
Fuentes Humanísticas |
19 |
43-57 |
| Eckerström, Pasqualina |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
2022 |
Contemporary Islam |
|
|
| Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
| Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
| Granado, Rui Luiz Ferreira; Valente, Heloisa de Aaujo Duarte |
From the Sound of the Lathes to the Noise of the Amplifiers: The Heavy Metal and the Music Scene in the ABC Region of Brazil (1980-1990) |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Vaughn, Erin M. |
Harmonic resources in 1980s hard rock and heavy metal music |
2015 |
|
|
94 |
| McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
