| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Hoad, Catherine (ed) |
Australian Metal Music |
2019 |
|
|
|
| Swinford, Dean |
Black Metal’s Medieval King: The Apotheosis of Euronymous through Album Dedications |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
121-136 |
| Kirsten, Yri |
Black Sabbath Purgatus: Medievalizing heavy metal |
2019 |
Postmedieval; Basingstoke |
10 |
466-481 |
| Pérez González, Bianca Natascha |
Black Sabbath y el cronotopo del carnaval |
2019 |
Sincronía |
xxiii |
186-194 |
| Gamble, Steven |
Breaking down the breakdown in twenty-first-century metal |
2019 |
Metal Music Studies |
5 |
337-354 |
| Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
| Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
| Fletcher, Kris; Umurhan, Osman (eds) |
Classical Antiquity in Heavy Metal Music |
2019 |
|
|
|
| Fletcher, Kris |
Classical Antiquity, Heavy Metal Music, and European Identity |
2019 |
The Present of Antiquity. Reception, Recovery, Reinvention of the Ancient World in Current Popular Culture |
|
223-246 |
| Umurhan, Osman |
Coda: Some Trends in Metal’s Use of Classical Antiquity |
2019 |
Classical Antiquity in Heavy Metal Music |
|
201-216 |
