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| Author | Hoad, Catherine; Whiting, Samuel | ||||
Title  |
True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal | Type | Journal Article | ||
| Year | 2017 | Publication | M/C Journal | Abbreviated Journal | |
| Volume | 20 | Issue | 6 | Pages | n..p. |
| Keywords | Extreme Metal | ||||
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| Publisher | Place of Publication | Editor | |||
| Language | en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1441-2616 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ hoad_true_2017 | Serial | 711 | ||
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| Author | Kahn-Harris, Keith | ||||
| Title |
Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’ | Type | Book Chapter | ||
| Year | 2004 | Publication | After subculture: critical studies in contemporary youth culture | Abbreviated Journal | |
| Volume | Issue | Pages | 107-118 | ||
| Keywords | Sociology; Extreme Metal | ||||
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| Publisher | Palgrave Macmillan | Place of Publication | Houndmills, Basingstoke, Hampshire & New York | Editor | Bennett, Andy; Kahn-Harris, Keith |
| Language | Summary Language | Original Title | |||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-0-333-97711-8 978-0-333-97712-5 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ bennett_unspectacular_2004 | Serial | 952 | ||
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| Author | Kloeppel, Mark | ||||
| Title |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities | Type | Book Whole | ||
| Year | Publication | Abbreviated Journal | |||
| Volume | Issue | Pages | 136 | ||
| Keywords | Communication and the arts; Social sciences; Extreme metal; Festivals; Narrative identity; Narrative inquiry; Tourism; Cultural resources management; Sociology; Labor relations | ||||
| Abstract | “Extreme Metal is a form of dark tourism and leisure activity whose artistic radicalism and underground scenes invoke intense debates from musicians as well as audiences. Traditional cultural studies have assumed that its disenfranchised and transgressive music expressions are an ideological resistance to increasing homogeneities of industrialized society. As such, considering the nature of festivals as a mechanism where culture is created and transmitted, the operations and promotions of Extreme Metal festivals are inevitably engaged in the wider cultural politics of Extreme Metal. The roles of festival producers thus must be emphasized, who act as powerful agents in engaging artists, developing audiences, arranging programs, and so forth. Indeed, no festivals can be simply described as improvised events – they are carefully programmed, planned, and constructed for audiences to hear and see. With this in mind, this study serves to explore the experiential predicament of these culturally embedded event producers. In particular, the identities of the festival producers compose the focus of investigation for this research. That is, considering the contested contexts that are at play in shaping the very existence of Extreme Metal, the producers are constantly acting as intermediaries between these contexts. The discursive practice by which they give meaning to their festival production practices, contain profound dissonance between 'what they imagine their selves to be' and 'what they actually are’ as related to their turbulent ‘referential world’ of Extreme Metal festival production. With this in mind, this study employs the theoretical framework of narrative identity in the examination of the ‘referential world’ by which identities are related. Narrative identity is considered as an approach to understand how people resolve themselves, life events, actions, and other forces in their life. Considering that a self, in narrative, is given meaning through the narrator’s relation of the self to their referential world, analyzing the narrative moments where conflicting contexts are at play provides a sensitization to the struggle of Extreme Metal cultural transgression within festival production. Specifically, it is learned how this tourism is considered ‘dark’. In doing so, three main research questions are asked: 1). How can we understand the festival producers’ identities as negotiated and emerged from the interview narratives? 2). In regards to the festival producers’ identities, what socio-cultural forces in relation to the apparatus of Extreme Metal are involved? 3). How do such findings illuminate the makings of tourism festivals at large?” (Source: ProQuest Dissertations Publishing) |
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| Address | |||||
| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Missouri-Columbia, Parks, Recreation, and Tourism Department | Place of Publication | Columbia, Missouri | Editor | Grace Yan |
| Language | English | Summary Language | Original Title | ||
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| Area | Expedition | Conference | |||
| Notes | ProQuest publication number 11015334 | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2518 | ||
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| Author | Dairianathan, Eugene | ||||
| Title |
Vedic metal and e-mediated space: a perspective from Singapore | Type | Journal Article | ||
| Year | 2013 | Publication | Asian Journal of Communication | Abbreviated Journal | |
| Volume | 23 | Issue | 4 | Pages | 348-367 |
| Keywords | Non-Western scenes; Extreme metal; Singapore; Vedic metal; Rudra (band) | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0129-2986 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ dairianathan_vedic_2013 | Serial | 1293 | ||
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| Author | Dairianathan, Eugene I. | ||||
| Title |
Vedic metal and the South Indian community in Singapore: problems and prospects of identity | Type | Journal Article | ||
| Year | 2009 | Publication | Inter-Asia Cultural Studies | Abbreviated Journal | |
| Volume | 10 | Issue | 4 | Pages | 585-608 |
| Keywords | Sociology; Non-Western scenes; Extreme metal; Vedic metal; India | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1464-9373 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ dairianathan_vedic_2009 | Serial | 1290 | ||
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| Author | Jocson-Singh, Joan | ||||
| Title |
Vigilante feminism as a form of musical protest in extreme metal music | Type | Journal Article | ||
| Year | 2019 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 5 | Issue | 2 | Pages | 263-273 |
| Keywords | Feminism; Gender; Extreme Metal | ||||
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| Publisher | Place of Publication | Editor | |||
| Language | en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2052-3998, 2052-4005 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ jocson-singh_vigilante_2019 | Serial | 625 | ||
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| Author | Overell, Rosemary | ||||
| Title |
Voicing the Real in Extreme Metal | Type | Journal Article | ||
| Year | 2021 | Publication | Continental Thought & Theory | Abbreviated Journal | |
| Volume | 3 | Issue | 3 | Pages | 136-163 |
| Keywords | Extreme metal; Reality; Society | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2241 | ||
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| Author | LeVine, Mark | ||||
| Title |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Non-Western scenes; Islam; Extreme Metal; Sociology | ||||
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| Publisher | Oakland | Place of Publication | University of California Press | Editor | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9780520350762 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2268 | ||
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| Author | Swiniartzki, Marco | ||||
| Title |
Working metal musicians: A case of transition in the long 1980s | Type | Journal Article | ||
| Year | 2023 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 9 | Issue | 1 | Pages | 59-75 |
| Keywords | Extreme metal; Working class | ||||
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| ISSN | 2052-3998 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2450 | ||
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| Author | Zaddach, Wolf-Georg | ||||
| Title |
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal | Type | Journal Article | ||
| Year | 2014 | Publication | Lied und Populäre Kultur; Münster | Abbreviated Journal | |
| Volume | 59 | Issue | Pages | 227-241,293 | |
| Keywords | Sociology; Extreme Metal | ||||
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| Publisher | Place of Publication | Editor | |||
| Language | German | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1619-0548 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ zaddach_30_2014 | Serial | 867 | ||
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