| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
|
|
|
Viteri, Juan Pablo |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
2020 |
R-ZINE |
1 |
26-37 |
|
|
|
Smialek, Eric; Bassler, Samantha |
Dis-ruptions: Heavy Metal Appropriations of Disability in Media |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
95-112 |
|
|
|
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
|
|
|
Juniper, Steff |
Disabled Drone: Trans-Feminist Noisecraft |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
52-65 |
|
|
|
Swallow, Reuben; Herbst, Jan-Peter |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
2022 |
Metal Music Studies |
8 |
351-379 |
|
|
|
dos Passos, Cristiano |
Do noisecore ao noise : a tradução do precário em “The Hermeneutics of Fear of God” |
2021 |
Diálogos com a música extrema |
|
29-66 |
|
|
|
Rogers, Anna S.; Deflem, Mathieu |
Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture |
2021 |
|
|
|
|
|
|
Shakespeare, Steven |
Drone construction. Philosophy of identity in Conan's “Horseback Battle Hammer” |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
202-213 |
|
|
|
Newstead, Marcus |
Drone headstone: tone exhumation |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
139 |
|
