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Borovcanin, S., & Patterson, D. (2019). Skogen: zine anthology 1993-1996. London: Cult Never Dies.
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Ribaldini, P. (2019). Terminology issues with the poïetic aspect of vocals in heavy metal studies: A suggestion for a multidisciplinary approach. Metal Music Studies, 5(3), 315–335.
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Herbst, J. - P. (2019). The formation of the West German power metal scene and the question of a ‘Teutonic’ sound. Metal Music Studies, 5(2), 201–223.
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Epp, A. (2019). The mosh pit – An area for excess or a place of learning? Metal Music Studies, 5(1), 107–114.
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Boyarin, S. (2019). The New Metal Medievalism: Alexander the Great, Islamic historiography and Nile’s ”Iskander Dhul Kharnon”. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 81–92). London: Emerald.
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Boyarin, S., Saguar García, A., Christensen, A., & Swinford, D. (2019). The Politics and Poetics of Metal’s Medieval Pasts. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 71–80). London: Emerald.
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Saguar García, A. (2019). The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing down the gauntlet (pp. 93–106). London: Emerald.
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Pérez Pelayo, M. (2019). The role of Musicking and the body in the Metal community of Guadalajara México. How does bonding through Metal music enable new kinship and friendship structures. Ph.D. thesis, KU Leuven, Leuven.
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Hellrich, J., Rzymski, C., & Vestergaard, V. (2019). The Trans-Medial Fight for Glory. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 13–20). London: Emerald.
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Barratt-Peacock, R. (2019). The Villon that Never Was. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 157–170). London: Emerald.
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