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Author |
Pérez Pelayo, Marisol |
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Title  |
El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal |
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Journal Article |
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Year |
2021 |
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Lenguas Radicales |
Abbreviated Journal |
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1 |
Issue |
2 |
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7-18 |
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Cemican (band); Symbolism; Cultural anthropology |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2238 |
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Author |
Castillo Bernal, Stephen |
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Title |
El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. |
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Book Chapter |
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Year |
2016 |
Publication |
Atlas Etnográfico de los Mundos Contemporáneos |
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1 |
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83-117 |
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La finalidad de este trabajo es delinear las características fundamentales de la escena metalera de la Ciudad de México, así como los cimientos simbólicos, imaginarios y rituales que sustentan a los partidarios de esta comunidad de sentido. Para lograr este cometido dividí el ensayo en tres segmentos. En el primero se definirán las características angulares e ideológicas del Heavy Metal así como las de la escena metalera mexicana; en el segundo apartado repasaré algunos de los constructos teóricos de Turner tocantes a la teoría del ritual. En el último bloque pondré a prueba las categorías analíticas para darle luz a las prácticas metaleras gestadas en los conciertos. Este último apartado me permitirá avanzar algunas hipótesis referidas al imaginario estructural de la escena cultural metalera. |
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www.edicionesnavarra.com |
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Escuela Nacional de Antropología e Historia, ENAH: Ediciones Navarra |
Place of Publication |
Ciudad de México |
Editor |
de la Peña Martínez, Francisco |
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español |
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978-607-9497-08-8 |
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PDF |
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INTech @ brianhickam2019 @ |
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2404 |
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Author |
López Ramírez Gastón, José Ignacio |
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Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
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Journal Article |
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Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
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4 |
Issue |
1 |
Pages |
60-85 |
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Keywords |
Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
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Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
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La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
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español |
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2616-681X (electrónico); 2521-8565 (impreso) |
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PDF, XML, EPUB, HTML |
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Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2379 |
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Author |
Varas-Díaz, Nelson |
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Title |
El sujeto criminal sónico: heavy metal y el reto a la normativa social dominante |
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Year |
2012 |
Publication |
Registros criminológicos contemporáneos |
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Pages |
207-240 |
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Keywords |
Sociology |
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SITUM |
Place of Publication |
San Juan |
Editor |
Serrano, Sonia |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2328 |
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Author |
Varas-Díaz, Nelson |
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Title |
El Sur Distorsionado como un cambio paradigmático para el metal y su estudio |
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Journal Article |
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Year |
2022 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
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1 |
Issue |
4 |
Pages |
28-41 |
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Keywords |
Global South; Non-Western scenes; Decolonisation |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2388 |
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Author |
Tapia, Reynaldo; Mendoza, Boris (eds) |
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Title |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Book Whole |
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2022 |
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Bolivia; Music History; Sociology |
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Ediciones Jichha |
Place of Publication |
La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2480 |
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Author |
Mendoza, Boris |
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Title |
El underground Boliviano de los Andes y su resonancia identitaria en la política pública de del siglo XXI |
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Book Chapter |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Pages |
33-56 |
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Keywords |
Bolivia; Identity; Politics |
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Ediciones Jichha |
Place of Publication |
La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2483 |
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Author |
Moores, JR |
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Title |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
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Book Whole |
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Year |
2021 |
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480 |
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“It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way.
Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.” (source: Reaktion Books) |
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Reaktion Books |
Place of Publication |
London, U.K. |
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English |
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ISBN |
1789144485; 978-1789144482 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2524 |
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Author |
Tzu-Han Cheng; Chen-Gia Tsai |
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Title |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
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Journal Article |
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Year |
2016 |
Publication |
Frontiers in Psychology |
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7 |
Issue |
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Pages |
art. 182 |
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Gender; Psychology; Emotion |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2313 |
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Author |
Rodríguez, Pablo |
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Title |
Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. |
Type |
Magazine Article |
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Year |
2020 |
Publication |
R-ZINE |
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1 |
Issue |
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Pages |
14-25 |
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Sociedad Anómica; Universidad San Francisco de Quito |
Place of Publication |
San Francisco de Quito, Republic of Ecuador |
Editor |
Viteri, Juan Pablo |
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Spanish |
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Google Doc |
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Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2294 |
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