| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
| Oliveira, Susane Rodrigues de; Brayner, Thais Nogueira |
Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
344-380 |
| Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |
| Kahrimanović, Šahim |
Fenomen nasilja i heavy metal muzika [Phenomen Violence and Heavy metal Music] |
2018 |
Društvene devijacije [Social Deviations] |
3 |
310-319 |
| Núñez, María de la Luz |
Florecimiento extremo como reivindicación de género: mujeres que hacen metal en Lima |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
48-56 |
| Jiggens, Rebecca; Shadrack, Jasmine Hazel |
Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
38-51 |
| Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
| Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
| Banchs, Edward |
From The Ashes of the Fallen Empire: Heavy Metal and Community in Post-Apartheid South Africa |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Granado, Rui Luiz Ferreira; Valente, Heloisa de Aaujo Duarte |
From the Sound of the Lathes to the Noise of the Amplifiers: The Heavy Metal and the Music Scene in the ABC Region of Brazil (1980-1990) |
2021 |
Living Metal: Metal Scenes around the World |
|
|
