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Author |
Hannan, Calder |
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Title  |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
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Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
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Volume |
7 |
Issue |
2 |
Pages |
277-297 |
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Keywords |
Bell Witch (band); Doom metal; Mirror Reaper (album); Aesthetics |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2129 |
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Author |
Wallach, Jeremy |
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Title |
Global Rock as Postcolonial Soundtrack |
Type |
Book Chapter |
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Year |
2020 |
Publication |
The Bloomsbury Handbook of Rock Music Research |
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Pages |
469-485 |
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Keywords |
Colonialism; Sociology |
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Bloomsbury |
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New York |
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Moore, Allan; Carr, Paul |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2087 |
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Author |
Michalewicz, Aleks |
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Title |
Gods amongst us/gods within: the black metal aesthetic |
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Year |
2007 |
Publication |
Super/heroes: From Hercules to Superman |
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Pages |
211-222, 385-388 |
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Keywords |
Black metal; Aesthetics |
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New Academia Publishing |
Place of Publication |
Washington |
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Haslem, Wendy; Ndalianis, Angela; Mackie, Chris |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2279 |
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Author |
Pichler, Peter |
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Title |
Going Deep: The Cultural-Historical Perspective on the Laws of Metal |
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Book Chapter |
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Year |
2024 |
Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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85-98 |
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Law; History |
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Kohlhammer |
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Stuttgart |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2576 |
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Author |
Whalen, Kayley Margarite |
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Title |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
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Book Chapter |
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Year |
2024 |
Publication |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
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162-178 |
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Keywords |
Disability; Neurodivergence; Goth scene; Narratives |
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Intellect |
Place of Publication |
Bristol |
Editor |
Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2565 |
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Author |
Scaricaciottoli, Emiliano, Emiliano |
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Title |
GRAVITA LA ESCRITURA, SE ORIENTA LA LUCHA. MILITAR POR UN METAL QUE NO TRAICIONE SUS BANDERAS |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
Issue |
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Pages |
77-84 |
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Keywords |
Metal Activism |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2505 |
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Author |
Rivero-Vadillo, Alejandro |
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Title |
Greening Black Metal: The EcoGothic Aesthethics of Botanist’s Lyrics |
Type |
Journal Article |
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Year |
2022 |
Publication |
Ecozon@ |
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Volume |
13 |
Issue |
1 |
Pages |
106-124 |
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Keywords |
Botanist (Band); Ecology; Environmentalism; Black metal |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2335 |
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Author |
Zuleta Rodríguez, Julio Estuardo |
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Title |
GUERRA Y METAL. UN ANÁLISIS HISTÓRICO DE LA CENSURA Y LA VIOLENCIA EN CONTRA DEL METAL EN EL DEPARTAMENTO DE QUICHÉ, GUATEMALA |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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Pages |
56-59 |
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Keywords |
Guatemala; Violence; Sociology; Censorship; War |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2502 |
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Author |
Tapia, Reynaldo; Mendoza, Boris |
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Title |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
8 |
Issue |
2 |
Pages |
143-161 |
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Keywords |
Bolivia; Identity; Indigenism; Hardcore |
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ISSN |
2052-3998 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2314 |
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Author |
Vaughn, Erin M. |
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Title |
Harmonic resources in 1980s hard rock and heavy metal music |
Type |
Book Whole |
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Year |
2015 |
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Abbreviated Journal |
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94 |
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Keywords |
Communication and the arts; Guns N' Roses; Hard rock; Harmony; Heavy metal; Malmsteen, Yngwie; Metallica; Music theory |
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Abstract |
The first objective of this work was to review the existing literature relating to popular music analysis to determine if standards of harmonic practice within hard rock and heavy metal music have been considered and established. This led to the review of the analytical methods of Guy Capuzzo, Christopher Doll, Walter Everett, Allen Moore, and Ken Stephenson. For the needs of this study, Everett's work (and to a lesser degree, Stephenson's work) is primary as it best summarizes the harmonic schemes used in the pieces analyzed.
Three songs were selected within different subgenres of hard rock and heavy metal: thrash metal (Metallica, “Master of Puppets”), neo-classical metal (Yngwie Malmsteen, “Far Beyond the Sun”), and commercial hard rock (Guns-N-Roses, “Welcome to the Jungle”). These pieces were analyzed extensively to understand the primary harmonic resources that are at work in each. Additionally, the three pieces were compared with regard to their formal elements, melodic materials, texture, and dynamics to draw conclusions about what similarities they share and also how they differ. Depending on the piece and the section under consideration, these three examples exhibited a reliance on modal structures, blues-based materials, and common-practice influences. |
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Master's thesis |
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Kent State University |
Place of Publication |
Ann Arbor |
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978-1-339-41655-7 |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2224 |
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