| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Lucas, Olivia R. |
Light Shows as Public, Vernacular Music Theory |
2021 |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
|
s.p. |
| Piper, Jonathan |
Locating Experiential Richness in Doom Metal |
2013 |
|
|
|
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
2022 |
Music, Sound, and Documentary Film in the Global South |
|
89-112 |
| Pascuchelli, María Natalia; Vidal Vargas, Pablo |
Los estudios metálicos (metal studies) en Latinoamérica y Argentina: un posible estado del arte |
2021 |
El oído pensante |
9 |
252-278 |
| Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
| Lucas, Olivia R. |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
2016 |
|
|
|
| Bahy, Cristiane |
Lugar de mulher é onde ela quiser inclusive no metal extremo: mulheres, metal extremo, transgressão e resistência |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
75-93 |
| Beccasino, Ángel |
M-19, el heavy metal latinoamericano |
1989 |
|
|
|
| Scheller, Jörg; Neuffer, Jochen |
Make Metal Small Again |
2023 |
|
|
193 |
| Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
