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Khalil, Lucas Martins Gama (UNIR) |
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Title  |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
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Journal Article |
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Year |
2017 |
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Miguilim: Revista Eletrônica do Netlli. |
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6 |
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2 |
Pages |
198-218 |
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Keywords |
Qualidade de voz, Gutural, Death metal; Voice quality, Guttural, Death metal. |
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Abstract |
O gênero musical death metal, subdivisão do heavy metal, tem como característica o emprego de uma voz urrada, distorcida e pouco compreensível. No âmbito da música, essa qualidade de voz é denominada “gutural”, nomenclatura que faz referência, de maneira ampla, a perceptíveis tensões na região da garganta (por isso, “gutural”) observadas por falantes que empregam essa técnica. Tendo em vista que, em estudos sobre qualidade de voz, não existem muitas descrições que abordam tal produção, objetivamos realizar alguns apontamentos que contribuam para a caracterização acústica e articulatória da voz gutural. Para isso, apresentaremos alguns aspectos introdutórios do conceito de qualidade de voz (LAVER, 1980) e, adicionalmente, referências a estudos que possam contribuir para a nossa proposta, como os de Sakakibara et al. (2004) e de Smialek et al. (2012). Além disso, analisaremos espectrogramas da voz empregada nas canções Crucifier Avenged e Hammer Smashed Face, ambas da banda Cannibal Corpse, com o objetivo de descrever as peculiaridades acústicas da voz gutural. |
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http://periodicos.urca.br/ojs/index.php/MigREN/issue/view/84 |
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Núcleo de Estudos de Teoria Linguística e Literária (NETLLI) [Linguistics and Literary Theory Research Group] at Universidade Regional do Cariri, Brazil. |
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http://periodicos.urca.br/ojs/index.php/MigREN |
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español |
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2317-0433 |
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PDF (no longer available) |
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Open access: https://creativecommons.org/licenses/by/3.0/ |
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INTech @ brianhickam2019 @ |
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2402 |
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Author |
Vrzal, Miroslav |
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Title |
Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia |
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Journal Article |
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2022 |
Publication |
Metal Music Studies |
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8 |
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2 |
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245-268 |
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Czechia; Slovakia; Religion; Christian religion |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2319 |
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Author |
Gregof, Nancy |
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Title |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
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2022 |
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Metal de Habla Hispana |
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1 |
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118-121 |
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Gender; Feminism; Latin America |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2512 |
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Author |
Trafford, Simon |
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Title |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
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Book Chapter |
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2021 |
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Middle Ages without borders: A conversation on Medievalism |
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“This paper explores and comments upon the way in which neo-Viking identities, masculinity and alcoholic consumption have become aligned and mutually reinforcing in popular culture, aided and abetted by consumer capitalism and the power of advertising.”
Since 2020, all volumes from the Collection of the French School of Rome and the Library of the French Schools of Athens and Rome are also freely available online on the OpenEdition Books website:
https://books.openedition.org /efr/95
https://books.openedition.org/efr/96 |
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https://www.publications.efrome.it/opencms/opencms/ |
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Publications de l’École française de Rome |
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Italy |
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Tommaso di Carpegna Falconieri; Pierre Savy; & Lila Yawn |
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English |
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English, Spanish, French |
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École Française de Rome |
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Collection de l'École française de Rome |
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978-2-7283-1494-2; 978-2-7283-1493-5 |
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eBook |
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OpenEdition Books |
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INTech @ brianhickam2019 @ |
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2514 |
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Kruk, Jessica; Robertson, Wesley C. |
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An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
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2023 |
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Perfect Beat |
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22 |
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1 |
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s. p. |
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Interview; Beastwars (band); Sociolinguistics; Language; Identity; New Zealand |
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1038-2909 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2456 |
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Author |
González-Martínez, Susana |
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Title |
An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
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Book Chapter |
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2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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33-66 |
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Global South; Women; Feminism |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2424 |
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Author |
Nevárez Araújo, Daniel; Susane Hécate |
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Title |
An Interview on “Contar/Cantar Memórias da Resistência” |
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Book Chapter |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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189-200 |
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Interview; Miasthenia (band) |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2430 |
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Author |
Venegas Marín, María Paula |
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Title |
Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. |
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Ultra metal, Contracultura, Década de los 80s, Violencia, Juventud, Medellín; Ultra metal, Counterculture, 1980s, Violence, Youth, Medellín. |
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Este trabajo investigativo y de carácter cualitativo busca centrarse en las posturas que han derivado desde la comunicación, con aportes de la sociología y las ciencias sociales, a través de un recorrido teórico e histórico de los sucesos más importantes del espectro de tiempo, así como de sus principales aportes y limitaciones de las expresiones artísticas y musicales asociados al movimiento de “Ultra Metal” y la importancia de éste en las transformaciones de la sociedad producto de las dinámicas de violencia asociadas a las disputas de narcotraficantes. Dichas disciplinas han brindado diferentes conceptos al fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles, las cuales han surgido con visiones muy diferentes y diversas. Esta investigación tiene por objetivo analizar el impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. Esto se sustenta en cuatro factores: las condiciones del contexto histórico en la creación del movimiento contracultural contestatario “Ultra Metal”; los imaginarios que se configuran a través de la música y grupos juveniles contestarios que permiten la concepción del mismo como contracultura; los contextos sociales dinamizadores expresados a través de la música, la individualidad, las tribus urbanas en los escenarios de respuesta contra la violencia generada en el tiempo y los conceptos del fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles. Bajo esta perspectiva, esta investigación contribuye a las ciencias sociales porque al conocer los impactos que la música tiene en las transformaciones de la sociedad puede servir como base para construir estrategias que permitan a los y las jóvenes encontrar un sentido de vida a través del arte y, de esta manera, convertirse en agentes significativos dentro de una sociedad más justa y equitativa.
[ This investigative and qualitative paper seeks to focus on the positions that have derived from communication, with contributions from sociology and social sciences, through a theoretical and historical journey of the most important events of the spectrum of time, as well as of its main contributions and limitations of the artistic and musical expressions associated with the “Ultra Metal” movement and its importance in the transformations of society as a result of the dynamics of violence associated with drug traffickers' disputes. These disciplines have provided different concepts to the phenomenon of the search for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures, which have emerged with very different and diverse visions. This study aims to analyze the impact on society of the “Ultra Metal” protest movement as an alternative to the violence experienced by young people in the city of Medellin during the 1980s. This is based on four factors: the conditions of the historical context in the creation of the protesting countercultural movement “Ultra Metal”; the imaginaries that are configured through music and rebellious youth groups that allow the conception of it as a counterculture; the dynamic social contexts expressed through music, individuality, urban tribes in response scenarios against violence generated over time and the concepts of the phenomenon of searching for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures.] |
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Address |
https://www.unicundi.edu.co/ |
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Corporate Author |
Universidad de Cundinamarca, Facultad de Educación |
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Bachelor's thesis |
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Universidad de Cundinamarca |
Place of Publication |
Fusagasugá, Cundinamarca, Republic of Colombia. |
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español |
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English |
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PDF, 1.169Mb |
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Open access. Trabajo de grado, Licenciatura en Educación Básica con Énfasis en Ciencias Sociales [127]. |
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INTech @ brianhickam2019 @ |
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2401 |
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Author |
Banchs, Edward |
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Title |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
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2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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283-302 |
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East Africa; Sociology |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2436 |
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Koplow Villavicencio, Jan |
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Title |
Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar |
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2022 |
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Contrapulso – Revista Latinoamericana De Estudios En Música Popular |
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4 |
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2 |
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78-93 |
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Native American Studies; Chile; Indigenism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2309 |
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