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| Author | Pack, Christian | ||||
Title  |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America | Type | Book Whole | ||
| Year | 2018 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 233 | ||
| Keywords | Communication and the arts; Culture; El Salvador; Heavy metal; Humor; International law; Language, Latin America; Literature and linguistics; Obscenities; Philosophy; Politics; Social sciences; Spanish | ||||
| Abstract | Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region. In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination. It is also done through the re-interpreting of folk metal in the local phenomenon of tribal metal that reinterprets the indigenous through the lens of modern society and heavy metal’s ideas of power. Finally, the Salvadoran metalhead adapts the genre’s vulgarity and dark humor to fuel their own systems of dealing with harsh repression and existing within a society that seems to have no place for them. At the bottom though, much more than a community, Heavy Metal in El Salvador is a source of fraternalismo that utilizes the Philosophy of Life to bind its members together and to provide them a means by which to express their personal freedoms within a society that would happily see them limited. |
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Johns Hopkins University | Place of Publication | Ann Arbor | Editor | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-392-06770-3 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2204 | ||
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| Author | Anesiadis, Alexandros; Scarpelos, Yiannis | ||||
| Title |
Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Underground; United States | ||||
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| Publisher | Feral House | Place of Publication | Port Townsend | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2372 | ||
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| Author | Pascual Auqué , Patricia | ||||
| Title |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio | Type | Journal Article | ||
| Year | 2020 | Publication | Tropleías | Abbreviated Journal | |
| Volume | 7 | Issue | Pages | 625-640 | |
| Keywords | Héroes del Silencio (band); Poetry; Symbolism | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2495 | ||
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| Author | Dukayev, Ali | ||||
| Title |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Kazahstan; Ethnology; Heteroglossia; Authenticiy | ||||
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | Nazarbayev University | Place of Publication | Astana | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2458 | ||
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| Author | Trummer, Manuel | ||||
| Title |
Highway to Hell: Das Satanische im Heavy Metal | Type | Book Whole | ||
| Year | 2024 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 166 | ||
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| Abstract | <<Produktbeschreibung: Schwarze Messen, Satanismus, Teufelskult – das Satanische hat im Rock 'n' Roll seit jeher einen festen Platz. Jedenfalls warnen konservative Kräfte bereits seit den 1950er Jahren vor dem teuflischen Einfluss der Rockmusik auf Jugend, Kultur und Gesellschaft. Seit den 1970er Jahren kultivierte der Heavy Metal ganz bewusst sein Image als “Teufelsmusik” und zieht bis heute vielfältige kreative Impulse aus dem Satanischen. Der Teufel selbst begegnet in Musik, Texten und Artworks als schillerndes, vielschichtig besetztes Symbol. Ob als schauerliche Horrorfigur, als provokanter Trickster oder als Idol in parareligiösen okkulten Systemen – er prägt die Ästhetik und Ideologie des Metal wie kaum eine andere Gestalt. Stets bleibt er dabei zugeich Spiegelbild sich verändernder soziokultureller Werte und Normen. >> [Product description: Black masses, Satanism, devil cult – the satanic has always had a firm place in rock 'n' roll. In any case, conservative forces have been warning about the devilish influence of rock music on youth, culture and society since the 1950s. Since the 1970s, heavy metal has consciously cultivated its image as “devil's music” and continues to draw diverse creative impulses from the satanic to this day. The devil himself appears in music, lyrics and artwork as a shimmering, multi-layered symbol. Whether as a gruesome horror figure, a provocative trickster or an idol in parareligious occult systems – he shapes the aesthetics and ideology of metal like no other figure. It always remains a reflection of changing socio-cultural values and norms.] |
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| Publisher | Kohlhammer Verlag | Place of Publication | Stuttgart, Baden-Württemberg, Germany | Editor | |
| Language | German | Summary Language | Original Title | ||
| Series Editor | Series Title | MetalBook (Volume 3) | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9783170420748 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2533 | ||
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| Author | Barajas, Jhon Edison | ||||
| Title |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal | Type | Book Chapter | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Power Metal; Colombia; Identity; Music history | ||||
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| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Corporación Universitaria Minuto de Dios | Place of Publication | Bogotá | Editor | |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2273 | ||
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| Author | Somoza, Jimena Mabel | ||||
| Title |
Hospitalarias realidades: Desarme de corporalidades metaleras a través de la Medicina y las Ciencias Naturales | Type | Magazine Article | ||
| Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
| Volume | 1 | Issue | 1 | Pages | 22-23 |
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| Abstract | Jimena Mabel Somoza es egresada del Profesorado de Cs. Naturales perteneciente al Instituto Superior de Profesorado “Dr. Joaquín V. González”. Especialista Superior en Ed. Sexual. Colaboró en el libro Ideas para el aula de Meinardi, Elsa y Mateu, Marina (compiladoras). Especialista en Docencia de Nivel Secundario, egresada del CITEP (UBA). Diplomada en Intervenciones Pedagógicas en Contexto de Encierro de la UNSAM y Especialista Superior en Políticas de la Infancia del Instituto Superior de Profesorado N°2 “Mariano Acosta”. Maestranda en Educación en Ciencias Experimentales y Tecnología, FCEFyN (UNC), también cursa la Maestría y Doctorado en Estudios y Políticas de Género en la UNTREF. |
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| Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic, Argentine Republic | Editor | |
| Language | español | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2953-3805 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2381 | ||
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| Author | Orálková, Lucie | ||||
| Title |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Megadeth (band); Peace Sells... But Who’s Buying? (album); Analysis | ||||
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| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Univerzita Palackého v Olomouci | Place of Publication | Olomouc | Editor | |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2452 | ||
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| Author | Callaway, Charles | ||||
| Title |
I See The Horse | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 490 | ||
| Keywords | Communication and the arts; Creative writing; Fantasy literature; Fiction; Heavy metal | ||||
| Abstract | I See the Horse is a fantasy novel that follows the adventures of Komar Voorhexees of Port Karpricius during a time of civil war within The Ten Kingdoms of the Enlibar Empire. The primary focus or super objective of the novel centers on the pursuit of a religious artifact, The Tear of Vashanka, and the delivery of documents important to the war cause. The novel follows story telling lessons from Twain, Vonnegut, Robert Mckee, and Orson Scott Card. The novel also mixes elements from canonical masters such as Homer, Shakespeare, and Joyce with genre-champions such as J.R.R. Tolkien, R.E. Howard, and G.R.R. Martin, as well as components of heavy metal music. The result lies squarely between the subgenres of Sword and Sorcery and High (Epic) Fantasy. The first six chapters fit into the Sword and Sorcery category; whereas, the second dives into Epic Fantasy as the protagonist slowly becomes part of the bigger milieu. The novel was created to have an original, gritty, realistic world with an American feel and flavor and a fantasy city drenched in the culture of the American South. To create a fantasy novel with an American feel was the projects initial purpose and drive. This is accomplished by drawing heavily upon the author’s life and experience. |
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Central Oklahoma | Place of Publication | Ann Arbor | Editor | |
| Language | Summary Language | Original Title | |||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-369-45252-5 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2216 | ||
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| Author | Gutiérrez, Julio César | ||||
| Title |
Imágenes Reflejo del Ajayu del Under Boliviano | Type | Book Chapter | ||
| Year | 2022 | Publication | El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano | Abbreviated Journal | |
| Volume | Issue | Pages | 201-242 | ||
| Keywords | Bolivia; Underground | ||||
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| Publisher | Ediciones Jichha | Place of Publication | La Paz | Editor | Tapia, Reynaldo; Mendoza, Boris |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2489 | ||
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